This is the ninth album from UK stoner metal band Orange Goblin.
It was 2014 when we saw the release of the first-rate Back from the Abyss. It seems like it’s been a long time since then, (and it has, I suppose), but now I’m very pleased to say that Orange Goblin are back with one of their strongest and most diverse albums to date. Continue reading “Orange Goblin – The Wolf Bites Back (Review)”
Khemmis are a doom metal band from the US and this is their third album.
Well, this is one that’s been quite hotly anticipated. Due to how ridiculously strong both Absolution and Hunted were, I had very high hopes for Desolation. Obviously, due to this intro blurb, I have not been disappointed. Desolation is a monster. Continue reading “Khemmis – Desolation (Review)”
Wrack is a one man progressive/post-metal band from the US.
Here we have 28 minutes of heavy, angular, jagged music. It starts strong, continues to be strong, and ends strong. Yep, this is a very strong release indeed. Continue reading “Wrack – Hollow Sun (Review)”
This is the sixth album from US progressive metallers Leviathan.
The band’s 2014 album Beholden to Nothing, Braver Since Then was an album that I not only enjoyed when it came out, but is one that has definitely grown on me over time. The more I listen to it, the more I like it. Continue reading “Leviathan – Can’t Be Seen by Looking: Blurring the Lines, Clouding the Truth (Review)”
Built-in Obsolescence are a progressive/post-metal band from Italy. This is their debut album.
Here we have 61 minutes of post-metal with progressive tendencies. Modelled on influences such as The Ocean, Cult of Luna, Isis, and a touch of Tool, Built-in Obsolescence mould elements of these to satisfy their own vision of what heavy music should sound like in 2018. Continue reading “Built-in Obsolescence – Instar (Review)”
This is the debut album from Irish post-metal/doom band Third Island.
After the initial promise of Third Island’s debut EP Dusk, the band have now returned with a full 48 minutes of material. This is direct, forthright post-metal, which also takes in influences from doom, sludge, post-rock, and progressive metal. Continue reading “Third Island – Omelas (Review)”
Vyre are a German post-black metal band and this is their third album.
Vyre offer up a 52-minute sophisticated cocktail of electronically enhanced avant-garde/post-black metal, which has been further spiked with keyboards, synths, cello, and violin. Continue reading “Vyre – Weltformel (Review)”
Tantal are a Russian metal band and this is their third album.
Mixing elements of modern, progressive, melodic, and Gothic metal into 49 minutes of music, Ruin is the follow up to 2014’s Expectancy, which was a good starter for getting to know Tantal’s sound. Ruin sees the band Continue reading “Tantal – Ruin (Review)”
This is the second album from King Goat, a progressive doom metal band from the UK.
I’ve been extremely excited for this one. This is a band that takes everything I love about traditional doom metal and combines it with a progressive metal element that sees the songs soar above almost all of their so-called peers with ease. Continue reading “King Goat – Debt of Aeons (Review)”
Boss Keloid are a UK progressive sludge/doom metal band and this is their fourth album.
2016’s immense Herb Your Enthusiasm was a landmark release for the band. It was, quite simply, such a good Continue reading “Boss Keloid – Melted on the Inch (Review)”
Wonderbox Metal 