Agrypnie are a black metal band from Germany and this is their seventh album.
Erg contains 54 minutes of music, and is brought to us by members of The Negative Bias and Perchta, (as well as many others). Agrypnie’s music is of a high quality level, and Erg showcases the band in a good light throughout. Continue reading “Agrypnie – Erg (Review)”
This is the fourth album from UK doom/post-rock band 40 Watt Sun.
Following on from 2022’s highly emotive Perfect Light comes the 45-minute Little Weight, and let me tell you it’s quite the record. It’s a journey into richly crafted emotion, one that aches with affecting depth. Continue reading “40 Watt Sun – Little Weight (Review)”
This is the fourth album from Swedish post-metal band A Swarm of the Sun.
An Empire offers up a daunting 71 minutes of music to explore. It’s a lot to absorb, but is worth the time investment, as the dark soundscapes that A Swarm of the Sun create are utterly captivating. Continue reading “A Swarm of the Sun – An Empire (Review)”
Respire are a post-hardcore/screamo band from Canada and this is their fourth album.
Now here’s something interesting. Respire describe themselves as an orchestral post-everything collective. They have seven core members, six of whom provide vocals, and collectively they play the usual instruments you’d expect, plus synths, viola, violin, and trumpet. There are also guests that bring vocals, saxophone, piano, synths, glockenspiel, music box, vibraphone, and additional strings to the mix. There’s a lot going on here. Continue reading “Respire – Hiraeth (Review)”
This is the seventh album from French post-black metallers Alcest.
Les Chants de l’Aurore contains 44 minutes of new music from the legendary Alcest. This is a band that many people hold a special place in their heart for, and a new album is a big deal in certain circles. So the question is, have Alcest delivered or disappointed? Continue reading “Alcest – Les Chants de l’Aurore (Review)”
This is the latest EP from UK blackened post-metal band Ba’al.
I was introduced to Ba’al on 2017’s In Gallows by Mass, but it wasn’t until 2020’s colossal debut Ellipsism that they truly came into their own. Four years on from that record, Ba’al return with the three-track EP Soft Eyes, which brings us 27 minutes of new material. Continue reading “Ba’al – Soft Eyes (Review)”
This is the third album from Dutch dark rock band Dool.
The Shape of Fluidity contains 50 minutes of dark rock music with both a metallic and a Gothic edge, as well as containing elements of doom, post-rock and post-punk. Dool’s music flows together seamlessly, making for an individualistic blend that is extremely enjoyable and moreish. Continue reading “Dool – The Shape of Fluidity (Review)”
This is the third album from US doom/post-metal band Aequorea.
Spread out over five engaging tracks, Departure is a 41-minute amalgamation of doom, post-metal, sludge, and blackened elements. This is my first encounter with Aequorea, but they make a good impression. Continue reading “Aequorea – Departure (Review)”
Protosequence are a Canadian technical death metal band and this is their debut album.
Bestiary contains 33 minutes of technical mayhem that’s unusually variegated. After enjoying Protosequence’s 2020 EP A Blunt Description of Something Obscene I was looking forward to hearing this, and it has not disappointed. Quite the opposite in fact. Continue reading “Protosequence – Bestiary (Review)”
Fall of Leviathan are a Swiss post-metal band and this is their debut album.
In Waves is a 56-minute journey through instrumental soundscapes that has cinematic scope and an ambitious presence. The promo blurb mentions bands like Neurosis, Mogwai, Mouth of the Architect, Rosetta, and Russian Circles, which sets the scene nicely for Fall of Leviathan’s sound. Continue reading “Fall of Leviathan – In Waves (Review)”
Wonderbox Metal 