Kalaallit Nunaat and Au Revoir are both one man Italian black metal bands.
Kalaallit Nunaat’s side of the split lasts 21 minutes and is divided into two tracks. The music is a mix of raw aggression in the traditional Scandinavian second wave style, and Cascadian atmospheric majesty along the lines of Wolves in the Throne Room, in spirit at least. Continue reading “Kalaallit Nunaat/Au Revoir – Memories from Desolate Battlefields – Split (Review)”
With the End in Mind is a one man black metal band from the US. This is his debut album.
Here we have 55 minutes of expressive, expansive Cascadian atmospheric black metal. Well, this is something quite special. First seeing the light of day in 2016, it’s now getting a new lease of life via Temple of Torturous Records. Continue reading “With the End in Mind – Unraveling; Arising (Review)”
This is the fourth album from Moonreich, a French black metal band.
Fugue is a broad-ranging and multifaceted journey into black metal waters, with the band revealing themselves to be quite expressive and creative across the album’s 54 minutes. Continue reading “Moonreich – Fugue (Review)”
Wistful is a one man post-black metal project from Portugal and this is his second album.
Metempsychosis contains 41 minutes of dark, blackened music. Mixing together post-metal and blackgaze into an ambient black metal core, this is wonderfully evocative and emotive post-black metal that’s filled to the brim with sorrow, despondency, and feelings of aching loss. Continue reading “Wistful – Metempsychosis (Review)”
Gaerea are a Portuguese black metal band and this is their debut album.
On Unsettling Whispers Gaerea have crafted 42 minutes of black metal that’s distinctly non-standard and in many ways is quite…unsettling. Continue reading “Gaerea – Unsettling Whispers (Review)”
Vyre are a German post-black metal band and this is their third album.
Vyre offer up a 52-minute sophisticated cocktail of electronically enhanced avant-garde/post-black metal, which has been further spiked with keyboards, synths, cello, and violin. Continue reading “Vyre – Weltformel (Review)”
This is the second album from French black metallers Abduction.
I liked Une Ombre Régit les Ombres a lot, so now that the band have returned with album number two, it’s time to get reacquainted with their characterful brand of black metal. Continue reading “Abduction – A l’Heure du Crépuscule (Review)”
Møl are a post-black metal band from Denmark and this is their debut album.
This is 42 minutes of atmospheric and emotive blackgaze. Taking a base of sharp, modern black metal and incorporating into it an obvious love of shoegaze’s ethereal intensity, Jord is a double-edged sword, promising both salvation and damnation. Continue reading “Møl – Jord (Review)”
Deadly Carnage are an Italian post-black metal band and this is their fourth album.
This is 45 minutes of creative metal, mixing black metal with doom, post-metal, and progressive influences. The band have produced an epic, exploratory journey across the cosmos, and do this via some expressive and emotive music. Continue reading “Deadly Carnage – Through the Void, Above the Suns (Review)”
This is the second album from Australia’s Atra Vetosus, a melodic/atmospheric black metal band.
While I enjoyed 2013’s Voices from the Eternal Night, it seems that Atra Vetosus have truly come of age on Apricity. On this latest album Atra Vetosus have expanded their melodic black metal sound to include elements of the atmospheric, depressive, and post-black metal styles, and they have done this very well indeed. Continue reading “Atra Vetosus – Apricity (Review)”
Wonderbox Metal 