If April saw a lot of high quality albums released, May was ridiculous. Worse than April, I had a shortlist of 23 albums that I judged were fitting of being highlighted. Somehow, I have no idea how, I have managed to get this down to 11. I wanted to get that down to an even 10, but just couldn’t find one to cut. Anyway, here we goooooooo… Continue reading “Monthly Overview – the Best of May 2019”
Tag: Noise Rock
Glassing – Spotted Horse (Review)
Glassing are a blackened hardcore band from the US and this is their second album.
I do so like these hybrid styles that are almost impossible to lump into a single genre, or to easily categorise. This particular release mixes hardcore, black metal, and post-metal into something quite personable, and it’s a very effective and enjoyable listen because of this. Continue reading “Glassing – Spotted Horse (Review)”
Heathe – On the Tombstones; the Symbols Engraved (Review)
This is the debut album from Heathe, a blackened doom/drone project from Denmark.
Apparently created by a core of one person who was then aided and abetted by multiple others, this band have crafted here a single 38-minute track named On the Tombstones. It has apparently been recorded live, with a structure enhanced by improvisation in places, which is probably why the music feels so vibrant, albeit in a bleak, nihilistic ways. Continue reading “Heathe – On the Tombstones; the Symbols Engraved (Review)”
Vordemfall – Gravity Problems (Review)
Vordemfall are a German noise rock band and this is their debut album.
Here we have 32 minutes of experimental rock, mixing elements of noise, progressive, and post-rock together into an expressive and quite thrilling collection of tracks. Continue reading “Vordemfall – Gravity Problems (Review)”
Oozing Wound – High Anxiety (Review)
This is the fourth album from US crossover punk/thrashers Oozing Wound.
On High Anxiety Oozing Wound fuse thrash and punk with some occasional elements of sludge and noise rock into 34 minutes of mayhem and infectious guitars. Continue reading “Oozing Wound – High Anxiety (Review)”
Irk – Recipes from the Bible (Review)
Irk are a noise rock band from the UK and this is their debut album.
My first encounter with Irk was on their split with Wren, and it was a very favourable one. They have now returned with their debut album; 38 minutes of infectious chaos and barbed personality. Continue reading “Irk – Recipes from the Bible (Review)”
Warp and Weft – Patience (Review)
Warp and Weft are a US hardcore band and this is their debut release.
Featuring members of the dead sexy Morality Crisis, Patience is a raw, nasty blend of hardcore, punk, metal, and noise rock. Continue reading “Warp and Weft – Patience (Review)”
KEN Mode – Loved (Review)
KEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.
Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading “KEN Mode – Loved (Review)”
Birds in Row – We Already Lost the World (Review)
Birds in Row are a French post-hardcore band and this is their second album.
Birds in Row play a form of post-hardcore that blends abrasive hardcore and punk influences, with angular noise/post-rock and experimental elements to form music that’s highly textured and filled with strong emotions. Continue reading “Birds in Row – We Already Lost the World (Review)”
Will Haven – Muerte (Review)
Will Haven are a post-hardcore/sludge band from the US and this is their sixth album.
Will Haven specialise in playing music that effortlessly combines huge crushing riffs and punishing intensity with a compellingly emotive foundation to create highly evocative and engaging soundscapes. Continue reading “Will Haven – Muerte (Review)”
