Space Witch are a stoner doom metal band from the UK and this is their third album.
Space Witch’s style is instrumental, and takes from the sludge, stoner, and doom metal styles. Their new record – Mountains of Neptune – contains just a single eponymous song, but it’s a 37-minute behemoth, so you’d better prepare for a crushing, cosmic experience.
Continue reading “Space Witch – Mountains of Neptune (Review)”
This is the fourth album from Danish solo black metal band Afsky.
If you aren’t familiar with Afsky, make sure you also check out 2018’s Sorg, 2020’s Ofte Jeg Drømmer Mig Død, and 2023’s Om Hundrede År. None will disappoint. Which leads us to Fællesskab, and its 45 minutes of new material. Can the artist behind Afsky maintain his winning streak of quality black metal albums? Continue reading “Afsky – Fællesskab (Review)”
This is the debut album from Swiss black metal band Irr.
Irr have risen from the ashes of the mighty Forlet Sires, so Remains Remain was definitely something I needed to hear once I knew of its existence. Across 34 minutes it provides an experience that belies its relatively brief duration. Continue reading “Irr – Remains Remain (Review)”
This is the seventh album from UK progressive metal/rock band Dawnwalker.
Dawnwalker are one of those rare bands that genuinely do attempt something different with each release. 2022’s murky, hallucinogenic House of Sand was a massive hit for me, and I loved it. 2024’s follow up The Unknowing was ultimately less to my taste, with its classic prog rock stylings, but still enjoyable nonetheless. So, with that in mind, what does The Between have to offer? Continue reading “Dawnwalker – The Between (Review)”
This is the debut album from Canadian death metal band Scorching Tomb.
Ossuary contains 30 minutes of crushing death metal, and it offers a real treat for fans of the modern old-school, (if you know what I mean). Scorching Tomb have created a cracking record. Let’s get to it. Continue reading “Scorching Tomb – Ossuary (Review)”
Drofnosura are a Canadian doom/sludge metal band and this is their second album.
Drofnosura’s Ritual of Split Tongues is a colossal beast of an album. It’s a 63-minute monster, primarily comprised of four epic-length songs, and presents as a mutated entity of mountainous shapeshifting intensity. Continue reading “Drofnosura – Ritual of Split Tongues (Review)”
This is the latest EP from UK hardcore/sludge metallers Mastiff.
A new Mastiff release is always something to pay attention to. Since 2019’s Plague I’ve thoroughly enjoyed betting beaten around the head by their brutal heaviness. On 2021’s Leave Me the Ashes of the Earth and last year’s Deprecipice they only seemed to get heavier and nastier. Which brings us to For All the Dead Dreams, which delivers seventeen minutes of punishment for us to soak up. Continue reading “Mastiff – For All the Dead Dreams (Review)”
This is the third album from UK sludge/post-metallers Conjurer.
Each Conjurer album so far has been a notable one. From their 2018 debut Mire, to 2022’s Páthos, the band have show an ability to craft quality heavy music, while also progressing their sound between releases. Unself contains 45 minutes of new music from this talented act, I have been very keen to hear it. So, what does it bring us? Continue reading “Conjurer – Unself (Review)”
Psychonaut are a Belgian post-metal band and this is their third album.
I first encountered Psychonaut on their 2021 split with Sâver, and I really liked what I heard. So, when Violate Consensus Reality came around a year later, I was hooked. With this firmly in mind, it’s with great anticipation that the 54 minutes of new material on World Maker is received. Continue reading “Psychonaut – World Maker (Review)”
This is the fourth album form French black metallers Dysylumn.
Following on from 2020’s Cosmogonie comes the 37-minute Abstraction. Compared to its gargantuan predecessor, it’s far shorter, but lacks for nothing in dominating presence. Continue reading “Dysylumn – Abstraction (Review)”
Wonderbox Metal 