Disemballerina are a US band, and this is their latest album.
With instruments such as Cello, Viola, Harp, Machete, Acoustic Guitar and Bajo Quinto, this is not your average release.
Dismballerina play a sort of chamber/classical music combination, that may not Continue reading “Disemballerina – Poison Gown (Review)”
The UK’s Damnation Festival is fast approaching. Saturday 5th November will see a plethora of top metal bands, large and small, take to the stage in Leeds to show off their music, and there’s a lot to be excited about.
With a whopping 4 stages and a wealth of metal talent spread across many genres and drawn from all over the globe, there’s bound to be something here to satiate even the most jaded of metal tastes. There’s a very good reason it’s my favourite UK festival and seems to only be going from strength to strength every year. Continue reading “Damnation Festival Preview”
This is the eleventh album from legendary genre-forgers Neurosis. They play post-metal/progressive sludge/doom/whatever.
The impact of Neurosis on the post-metal/sludge/doom/etc. scene is immense and has been well-documented, of course. Suffice to say that this is an important band producing important music. They always have been and probably, (hopefully), always will be. Continue reading “Neurosis – Fires Within Fires (Review)”
This is the debut album from Jagged Mouth, a sludge/doom metal band from the US.
With the kind of scathingly high-pitched vocals that can strip skin at 100 paces, Jagged Mouth don’t mess around. This is slow and heavy sludge/doom that doesn’t care for being nice or pleasant in any way. Continue reading “Jagged Mouth – Louring (Review)”
This is the second album from Italian post-black metallers Sedna.
I recall Sedna from their enjoyable, if brief, split with Dementia Senex. Lasting just under 8 minutes, their contribution was a quality listen, which made me excited to hear this full-length.
This time we get a full 50 minutes Continue reading “Sedna – Eterno (Review)”
Blissful Stream is a one-man doom project from Sweden. This is his debut EP.
This is lo-fi doom rock with a distinctly ancient feel to it. Ascending Demons offers up 15 minutes of this, with downbeat riffs and the some old-school death/doom-styled melodies mixed in. Continue reading “Blissful Stream – Ascending Demons (Review)”
Boarstusk is a one-man black Metal doom band from the US. This is his debut album.
After an atmospheric electronic intro, we’re introduced to Boarstusk’s brand of doom-infused black metal. This is ancient, unspeakably raw Continue reading “Boarstusk – Boarstusk (Review)”
This is the second album from US doom metal band Khemmis.
Khemmis’ debut album, Absolution, was one of my favourite releases of 2015, and has continued to be a firm-favourite of mine ever since first hearing it.
Continuing on with their style of combining traditional doom metal with sludge metal, the songs on Hunted are a tad longer, allowing the band more room to explore and expand on their core style.
The singer puts in a sterling performance once more. Continue reading “Khemmis – Hunted (Review)”
Debutante is a solo-project from Switzerland and this is his latest EP of electro rock/drone/pop.
From the blurb – “An EP about anxiety, depression and crippling, petty envy.” So now you know. Continue reading “Debutante – EP3 (Review)”
This is the debut album from Obed Marsh, an Australian blackened doom band.
Well, I love the album cover, so we’re off to a good start already. It’s the music that matters, of course, but it’s always nice to like the artwork too. The band also have a member of Ur Draugr in their ranks, so another plus point in their favour.
Do you ever get the feeling that the doom you’re listening to is just not doomy enough? Do you Continue reading “Obed Marsh – Innsmouth (Review)”
Wonderbox Metal 