This is the second album from Greek sludge/post-metal band Allochiria.
Taking the post-metal holy triumvirate of Isis, Neurosis and Cult of Luna as their base influence, Throes works with this starting point and adds heavier, more aggressive sludge metal elements into the mix. Continue reading “Allochiria – Throes (Review)”
Mord’A’Stigmata are a black metal band from Poland and this is their fourth album.
2013’s Ansia made a very good impression with its expansive take on the genre, while also incorporating post-metal and doom elements into its sound. Continue reading “Mord’A’Stigmata – Hope (Review)”
Into Orbit are a post-metal band from New Zealand. This is their second album.
Unearthing is just over 40 minutes long and combines post-metal/rock, progressive metal/rock, doom, drone and ambient. Continue reading “Into Orbit – Unearthing (Review)”
Dread Sovereign have returned with their latest album For Doom the Bell Tolls, and it’s quite a corker. Their debut album already showed what an impressive proposition they were, and their latest seals that view. Where Dread Sovereign go, I will follow, for their doom metal is truly the way. Continue reading “Interview with Dread Sovereign”
This is the second album from Irish doom metal band Dread Sovereign.
2014’s All Hell’s Martyrs was an absolute stormer of an album, and definitely one of my favourites from the doom metal genre. After catching them live at last year’s Damnation Festival, I was very excited to eventually hear some new material from the band. Finally, the wait is over. Continue reading “Dread Sovereign – For Doom the Bell Tolls (Review)”
This is the debut album from Sunlight’s Bane, a blackened sludge/grindcore band from the US.
This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading “Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)”
This is the second album from Finnish doom metallers Altar of Betelgeuze.
Full of fuzzy stoner riffs, this is stoner doom metal that has bitten off a good chunk of death/doom and regurgitates it across these 49 minutes.
Like a more underground version of Continue reading “Altar of Betelgeuze – Among the Ruins (Review)”
Dead Witches are a doom metal band form the UK and this is their debut album.
Dead Witches feature past and current members of Electric Wizard, Ramesses and Psychedelic Witchcraft. Listening to Ouija you can expect slow, hypnotic doom metal that worships at the altar of Pentagram, Saint Vitus and, yes, Electric Wizard. Continue reading “Dead Witches – Ouija (Review)”
Cardinal are an experimental blackened doom/drone band.
This is a dark mix of experimental doom/drone, noise, neo-folk and atmospheric music, all roughly contained in a vaguely blackened framework.
The songs mainly focus on Continue reading “Cardinal – Áwiergedon (Review)”
Todesstoss are a German black metal band and this is their eighth album.
After releasing 2015’s challenging and unusual Hirngemeer, Todesstoss are now back with their latest release, which features one 48 minute track.
Just like its predecessor, Ebne Graun is a sprawling, mind-shattering release full of discordant black metal, rampant experimentation and peculiar personality. Continue reading “Todesstoss – Ebne Graun (Review)”
Wonderbox Metal 