This is the fifth album from Pyrrhon, an extreme metal band from the US.
Whatever you want to call it – progressive, dissonant, experimental, avant-garde, etc. – Pyrrhon are not your average band. Their music is atypical and envelope-pushing, while retaining enough death metal sinew amidst the jazz and hardcore influences to propel their extreme metal output forward with creative intensity. Continue reading “Pyrrhon – Exhaust (Review)”
This is the second album from US death metal band Glacial Tomb.
Glacial Tomb boast not one, but two members of the mighty Khemmis, so I’m somewhat shocked that I’m so late to their sludgy blackened death metal party. Yep, that’s right – Lightless Expanse gifts us with a 36-minute platter of horrific death metal, ripe with sludge and black metal flavourings. It’s only right that we eat deep of this malignant bounty that’s set before us. Continue reading “Glacial Tomb – Lightless Expanse (Review)”
Teeth are a death metal/grindcore band from the US, and this is their third album.
I’ve thoroughly enjoyed watching Teeth develop, from their split with Fister and also with Barghest, to last full length The Curse of Entropy in 2019. The Will of Hate is the band’s longest release yet, clocking in at 39 minutes of pure punishing extremity. Continue reading “Teeth – The Will of Hate (Review)”
Evilyn are an international death metal band and this is their debut album.
Evilyn play a form of death metal with strong avant-garde/dissonant leanings. Mondostrunken contains 36 minutes of material, showcasing a band that have honed their vision into an atypical beast. Continue reading “Evilyn – Mondestrunken (Review)”
This is the third album from Carnophage, a Turkish death metal band.
It’s been a long time since 2016’s Monument, but Carnophage have now unleashed a new album. Matter of a Darker Nature is a 33-minute death metal masterclass – rooted in the brutal death metal style, but not limited to it. Continue reading “Carnophage – Matter of a Darker Nature (Review)”
This is the second album from Slovakian black/death metal band Ceremony of Silence.
Five years after 2019’s malignant Oútis, Ceremony of Silence have returned with the 36-minute Hálios. An album of atmospheric brutality, Hálios expands on and further develops the strengths of Ceremony of Silence’s debut album. Continue reading “Ceremony of Silence – Hálios (Review)”
This is the seventh album from New Zealand death metal act Ulcerate.
Following on from 2016’s Shrines of Paralysis and 2020’s Stare into Death and Be Still, the mighty Ulcerate have now returned with the 58-minute Cutting the Throat of God. Continue reading “Ulcerate – Cutting the Throat of God (Review)”
This is the third album from US death metal band Aseitas.
2020’s False Peace was a mammoth album, brimming with ideas, boasting 11 tracks, and lasting 72 minutes. On Eden Trough Aseitas trim down to a more manageable 5 tracks and a much-shorter 30 minutes, leading me to wonder if their experimental death metal is still as multifaceted and layered as it was previously? Continue reading “Aseitas – Eden Trough (Review)”
This is the debut album from German death metallers Mære.
Featuring ex-members of Ingurgitating Oblivion, …And the Universe Keeps Silent contains 37 minutes of lightless dissonant death metal. The promo blurb mentions bands like Gorguts, Incantation, Morbid Angel, Immolation, Replicant, Phobocosm, and Saevus Finis, so this will give you a good idea of where Mære are coming from. Continue reading “Mære – …And the Universe Keeps Silent (Review)”
This is the second album from Canadian death metal band Atræ Bilis.
Following on from 2021’s Apexapien, Atræ Bilis have now returned with 40 minutes of new material. As enjoyable as that record was, Aumicide is something else. Continue reading “Atræ Bilis – Aumicide (Review)”
Wonderbox Metal 