This is the sixteenth album from Blut Aus Nord, a French black metal band.
Following on from 2023’s Disharmonium – Nahab comes Ethereal Horizons, a 52-minute work of expansive, exquisite black metal artistry. Yep, this one’s pretty damn good. Continue reading “Blut Aus Nord – Ethereal Horizons (Review)”
This is the second album from US solo extreme metal band Kostnatění.
2023’s Úpal was a notable record, standing out from the crowd with its atypical approach to black metal. Now comes Přílišnost, and it’s a refined beast of uncommon extremity we find ourselves faced with. Continue reading “Kostnatění – Přílišnost (Excess) (Review)”
Kamra are a black metal band from Slovenia and this is their second album.
Kamra have a member of Assumption in their ranks, and Unending Confluence contains 41 minutes of music. This is black metal influenced by the old-school, but dragged by lethal dissonance into the modern era. Continue reading “Kamra – Unending Confluence (Review)”
This is the second album from UK black metallers Sea Mosquito.
Majestas contains 44 minutes of esoteric black metal. As a rough starting point, think of a compelling mix of bands such as Aara, Blut Aus Nord, Inherits the Void, Deathspell Omega, Labyrinthus Stellarum, Mare Cognitum, Selbst, and Vorga, although Sea Mosquito do offer up an experience that’s their own. Continue reading “Sea Mosquito – Majestas (Review)”
This is the eighth album from French industrial metal band Fange.
I haven’t caught up with Fange since 2014’s Poisse and 2017’s Pourrissoir, and the band have been very productive since then. They have released a slew of albums and developed their sound in different directions, all branching out from a malevolent heart. So what does Purulences offer us in 2025? Continue reading “Fange – Purulences (Review)”
This is the second album from Spanish black metal solo act Délirant.
Thoughteater contains 38 minutes of swirling dissonance, esoteric atmosphere, and dark aggression. With a promo blurb that references bands such as Blut Aus Nord, Akhlys, Deathspell Omega, Abigor, and Misþyrming, are you ready for the nightmare experience that the artist behind Délirant offers up? Continue reading “Délirant – Thoughteater (Review)”
This is the third album from solo black metal act Selbst, originally from Venezuela, and now Chile.
Following on from 2020’s Relatos de Angustia, Despondency Chord Progressions contains 44 minutes of new material. The artist behind Selbst, (also in Animus Mortis), is aided on this release by the drummer of Aversio Humanitatis/Eternal Storm, and has created something quite special. Continue reading “Selbst – Despondency Chord Progressions (Review)”
Sacrificial Vein are a black metal band from the US and this is their debut album.
Containing the singer of Nothingness in their ranks, Sacrificial Vein play avant-garde/dissonant black metal. Black Terror Genesis is a 47-minute journey into darkness. Continue reading “Sacrificial Vein – Black Terror Genesis (Review)”
This is the debut album from French avant-garde black metal band Eitrin.
And what do we have here, appearing out of nowhere in a cloud of poisonous fumes? We’re told the following – “The specially commissioned debut album from EITRIN brings together the talents of Vindsval (BLUT AUS NORD), Marion (MÜTTERLEIN) and Dehn Sora (THROANE) to celebrate 20 years of Debemur Morti Productions in fittingly defiant style.” Continue reading “Eitrin – Eitrin (Review)”
Laster are a, (sort of), black metal band from the Netherlands and this is their fourth album.
It’s been a while since I’ve caught up with Laster. 2017’s Ons Vrije Fatum, to be precise, (with 2014’s De Verste Verte Is Hier and their 2016 split with Wederganger before that). Since then they’ve had another album, (and an EP), that I haven’t heard, but that apparently saw an increase in the avant-garde and experimental aspects of their sound. So what does Andermans Mijne present us with? Continue reading “Laster – Andermans Mijne (Review)”
Wonderbox Metal 