Kjeld – Ôfstân (Review)

Kjeld - ÔfstânKjeld are a black metal band from the Netherlands and this is their second album.

Kjeld’s debut album Skym saw the light of day back in 2015, and apart from their split with Wederganger in 2016, (which was then rereleased as an EP in 2018), we’ve had nothing new from them since. So, when Ôfstân appeared on my radar, I knew Continue reading “Kjeld – Ôfstân (Review)”

MNHG – Mundare (Review)

MNHG - MundareThis is the debut album from German black metallers MNHG.

I confess that anything with the black ‘n’ roll tag I usually let pass me by, but after a brief sampling of the material here I felt compelled to dive deeper, and here we are.

So, what did I find upon entering MNHG’s world? ALL OF THE RIFFS!!! Continue reading “MNHG – Mundare (Review)”

Culted – Nous (Review)

Culted - NousCulted are an international blackened doom band and this is their third album.

It has been many years since 2014’s Oblique to All Paths, although we were gifted with an EP in 2019 – Vespertina Synaxis – A Prayer for Union & EmptinessNous contains 64 minutes of new, apocalyptic material, which Continue reading “Culted – Nous (Review)”

Hænesy – Garabontzia (Review)

Hænesy - GarabontziaThis is the second album from Hungarian post-black metal band Hænesy.

Having followed Hænesy from their debut album Katruzsa in 2018 to their 2019 split with Moondweller, I was keen to hear some new material from the band. Enter Garabontzia, which contains 44 minutes of the stuff. Continue reading “Hænesy – Garabontzia (Review)”

Jours Pâles – Éclosion (Review)

Jours Pâles - ÉclosionThis is the debut album from French post-black metallers Jours Pâles.

Jours Pâles have an interesting and in some ways non-standard sound. Not because they’re especially avant-garde or experimental, but because of the way that they combine a few different ingredients from different musical brews into something of their own making. Continue reading “Jours Pâles – Éclosion (Review)”

Iotunn – Access All Worlds (Review)

Iotunn - Access All WorldsIotunn are a progressive metal band from Denmark, and this is their debut album.

Full disclosure – when I saw that this band is fronted by the singer of Barren Earth and Hamferð, I got quite excited and it immediately made me hungry to listen to their album. The man has one of my favourite voices in metal, and on Access All Worlds, he puts it to damn fine use. Continue reading “Iotunn – Access All Worlds (Review)”

Aylwin – The Arch Holder (Review)

Aylwin - The Arch HolderThis is the debut album from US black metallers Aylwin.

Here we have a single 30-minute track that’s a mix of atmospheric and post-black metal. The track is a nature-influenced apocalyptic soundscape that combines elements from the Cascadian style of black metal with mournful post-metallic aspects. Continue reading “Aylwin – The Arch Holder (Review)”

Suffering Hour – The Cyclic Reckoning (Review)

Suffering Hour - The Cyclic ReckoningThis is the second album from Suffering Hour, a blackened death metal band from the US.

Now here’s a release I’ve been looking forward to. I’m a big fan of Suffering Hour’s past work, (2013’s Foreseeing Exemptions to a Dismal Beyond, and then 2017’s immense In Passing Ascension), and their newest album simply takes their musical progression so far to its logical conclusion. Having learned plenty of lessons Continue reading “Suffering Hour – The Cyclic Reckoning (Review)”

Spire – Temple of Khronos (Review)

Spire - Temple of KhronosThis is the second album from Australian black metal act Spire.

Temple of Khronos offers a dark mix of atmospheric, progressive, and psychedelic black metal. It’s as if the classic style that we know and love has been mutated and warped into something even darker and more malefic. Continue reading “Spire – Temple of Khronos (Review)”