Culted – Oblique To All Paths (Review)

CultedCulted comprise of members in both Sweden and Canada, (who apparently have never met), and this is their second album of Blackened Doom Metal.

This is an hour of haunting depression and wandering desolation.

This album combines aspects of Doom, Black Metal and Sludge to create a bleak atmosphere and feeling of slow decay. An aural description akin to a gradual slipping away into who knows where; a place of fear to never return from.

You know a band means business when a 19 minute monolith of a song, (Brooding Hex), is their opener. It also works as an abstract for the album as a whole as it surmises all areas that the full album travels to within its forbidding boundaries.

There is no clinical, sterile recording on this release; instead we have a dark and foetid sound, full of shadows that hold spawning grounds for unspeakable strains of mutant bacteria and other unpleasantness.

The rasping vocals are rooted in Black Metal, and they sail the seas of Blackness on the good ship Doom. Continuing the nautical theme, (for no good reason really), this is music to drown to.

The wide range of sounds and instruments used on this album means that this is a diverse and experimental release. It’s an interesting path that the disparate band members have collectively chosen to tread, one which carries great risk but which promises great reward in turn. I heartily invite you to sample the dark delights on offer here. But be warned – there’s a danger you might not come back.

2 thoughts on “Culted – Oblique To All Paths (Review)

  1. Pingback: Old Witch/Keeper – Split (Review) |

  2. Pingback: Culted – Vespertina Synaxis: A Prayer for Union & Emptiness (Review) |

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