This is the third album from Vitriolic Sage, a one-man black metal band from China.
Brought to us by the artist behind the exceptional Ὁπλίτης (Hoplites), 梦路 contains 43 minutes of modern black metal. 梦路 combines elements of the Continue reading “Vitriolic Sage – 梦路 (Review)”
This is the third album from Danish one-man black metal band Afsky.
Following on from 2018’s Sorg, 2020’s Ofte Jeg Drømmer Mig Død, and 2022’s I Stilhed, Om Hundrede År contains 43 minutes of new material and is eagerly anticipated by many fans of atmospheric black metal. Continue reading “Afsky – Om Hundrede År (Review)”
Räum are a Belgian post-black metal band and this is their debut album.
Cursed by the Crown contains 37 minutes of music, spread across four harsh post-blackened soundscapes. Räum weave desolate moods and grim, oppressive auras throughout this album. Theirs is a form of Continue reading “Räum – Cursed by the Crown (Review)”
Kold are a black metal band from Denmark and this is their debut album.
Following on from 2021’s Kold, Intet Mere Er is a 44-minute black metal journey of frozen landscapes and sorrowful climes. Continue reading “Kold – Intet Mere Er (Review)”
This is the second album from international black metal band Omega Infinity.
Brought to us by members of Ne Obliviscaris and Todtgelichter, The Anticurrent is a 49-minute journey into the realms of cosmic black metal, (or 57 minutes with the bonus Sear Bliss and Emperor covers). Continue reading “Omega Infinity – The Anticurrent (Review)”
This is the second album from Polish one-man black metal band Moonthoth.
Uroczysko treats us to 50 minutes of underground black metal. It’s old-school and traditional at heart, yet rich, layered, and adventurous in scope. It has a keen atmospheric edge, is bolstered by powerful symphonic elements, and is not afraid to walk its own path. Continue reading “Moonthoth – Uroczysko (Review)”
This is the second album from Chilean one-man black metal band Winds of Tragedy.
Hating Life is a 35-minute journey into misery and despair. This is expressed via a harrowing and scathing form of post-black metal, one which is made up of the atmospheric and depressive styles, along with a death metal edge, (particularly in the vocals, which are dark, deep, and brutal). Continue reading “Winds of Tragedy – Hating Life (Review)”
This is the debut album from one-man French black metal act Limbes.
We’ve encountered the artist behind Limbes before, on his split with Mütterlein, and also when the project was named Blurr Thrower. Écluse contains 39 minutes of new material, and although the songs are still on the longer side, (especially the 15-minute closer), overall they’re shorter and more concise than we’re used to from this artist. Continue reading “Limbes – Écluse (Review)”
This is the third album from Scáth na Déithe, an Irish black/death metal band.
Having enjoyed 2020’s The Dirge of Endless Mourning, I have been looking forward to what Virulent Providence has to offer. It has not disappointed. Continue reading “Scáth na Déithe – Virulent Providence (Review)”
This is the debut album from US black metal band Returning.
Containing 48 minutes of music, Severance is a journey into the horrors of ecocide and a hymn to the natural world. Blending black metal with the ambient and atmospheric styles to create immersive soundscapes that exude emotional power, Severance is a shock to the system and a call for better times. Continue reading “Returning – Severance (Review)”
Wonderbox Metal 