Duality are a technical death metal band from Italy and this is their debut album.
Duality mix death metal with technical complexity, jazz interludes, and progressive workouts. Think a mix of Death, Obscura, and The Faceless. Continue reading “Duality – Elektron (Review)”
This is the third album from Pyrrhon, an extreme metal band from the US.
Pyrrhon are not your standard band. I first encountered them on their 2014 album The Mother of Virtues, and even then they were a distinctly atypical and genre-breaking proposition. Continue reading “Pyrrhon – What Passes for Survival (Review)”
Fleshbore are a US death metal band and this is their debut demo release.
One of the things I really like about demo releases in this day and age is that they no longer have to sound like they’ve been recorded by a guy screaming into a bucket in a garage somewhere. Hail technological progress! Which is a roundabout way of saying Continue reading “Fleshbore – Demo 2017 (Review)”
This is the 15th album from UK metal band Paradise Lost.
After recently reviewing the reissue of Paradise Lost’s seminal 1997 album One Second, it’s somewhat appropriate that I now catch up with their latest album Medusa, released twenty years later. Continue reading “Paradise Lost – Medusa (Review)”
Ligæder are a Danish death metal band and this is their debut EP.
This is ugly, rotting, primitive music that has a blackened crusty aspect to it alongside the crushing death metal onslaught that is the band’s main mode of delivery. Continue reading “Ligæder – Fordøjet Levende (Review)”
Verthebral are a death metal band from Paraguay and this is their debut album.
Verthebral play 90s-styled death metal with an infectious assault and honest passion. Continue reading “Verthebral – Regeneration (Review)”
This is the second album from Falaise, a black metal band from Italy.
A very much enjoyed the band’s debut album As Time Goes By, which was an hour of enjoyable blackgaze melancholy, with dark atmosphere and depressive moods. Continue reading “Falaise – My Endless Immensity (Review)”
Samot are a blackened death metal band from Chile and this is their debut EP.
With a rumbling, old-school sound, this is a cobweb-strewn blend of old-school death metal and equally old-school black metal. The music combines both of these effectively and naturally, making for an enjoyable release of atavistic darkness. Continue reading “Samot – Across the Abyss (Review)”
Counterfeit Culture are a US metalcore band and this is their latest EP.
Counterfeit Culture mix melodic hardcore with heavier metalcore, and have produced an EP that may be short, but is not without impact. Continue reading “Counterfeit Culture – Deathwish (Review)”
This is a split between two US bands – Rope and Knife play black metal and Metal Eater play grindcore.
Rope and Knife are up first, and offer us two tracks with a total playing time of just under eight minutes. Continue reading “Rope and Knife/Metal Eater – Split (Review)”
Wonderbox Metal 