Ophis are a German doom band and this is their fourth album.
I fell strongly for the sheer heaviness and prolonged darkness of Abhorrence in Opulence. This was an hour’s worth of supremely heavy and miserable music, and The Dismal Circle is little different in this regard.
Primitive Man are a US doom band and this is their second album.
Ahhh Primitive Man. As you can see from my reviews of their previous work, (here, here, here, and here), this is a band I absolutely love. Their pitch-black, nihilistic, world-hating doom is so perfectly delivered that it never ceases to satisfy and crush in equal measure. Continue reading “Primitive Man – Caustic (Review)”
This is Mesmur’s second album. They’re an international band and play atmospheric death/doom metal.
Featuring members of Dalla Nebbia, Mesmur play death/doom that offers the listener a little bit more than what they might usually expect to find for something with that appellation. Continue reading “Mesmur – S (Review)”
Theurgia are a Venezuelan black metal band and this is their debut album.
This is the follow up to the band’s debut EP Anti Perpetuo, which was a very enjoyable slice of raw, underground black metal. Continue reading “Theurgia – Transformation (Review)”
Perihelion Ship are a Finnish progressive metal band and this is their second album.
Hot on the heels of last year’s debut album A Rare Thunderstorm in Spring, Perihelion Ship have already returned with a new full-length album.
Continue reading “Perihelion Ship – To Paint a Bird of Fire (Review)”
This is the seventh album from legendary Spanish goregrinders Haemorrhage.
This is 35 minutes of unhinged medical mayhem. However, the band also know the virtue of restraint when necessary, as sometimes the applied force of a surgical strike is more effective than a chainsaw to the guts. Continue reading “Haemorrhage – We Are the Gore (Review)”
This is third album from French metallic hardcore band Nesseria.
Having unleashed something as heavy and violent as 2014’s Fractures, Nesseria have now returned to inflict their latest ode to sonic violence Cette Érosion de nous Mêmes; 38 minutes of intensity and aggression. Continue reading “Nesseria – Cette Érosion de nous Mêmes (Review)”
King Parrot are an Australian thrashgrind band, and this is their third album.
While 2013’s Bite Your Head Off was on the grindier side of the spectrum, but still imbued with a thrash vitality, 2015’s Dead Set played with the thrash side more, with longer songs and more involved compositions. Continue reading “King Parrot – Ugly Produce (Review)”
Celeste are a French blackened doom/sludge/hardcore metal band and this is their sixth album.
The artwork of Celeste albums has always been very striking and atypical, but I think they’ve outdone themselves this time. Continue reading “Celeste – Infidèle(s)”
Implore are a German grindcore band and this is their second album.
What’s in a genre tag, eh? Grindcore this may be, but that appellation doesn’t tell the whole story, for that we have to expand the genre label a tad. Quite a bit actually; blackened crust deathgrind. How about that? Closer to the truth, but definitely an unwieldy mouthful. Continue reading “Implore – Subjugate (Review)”
Wonderbox Metal 