Ghold mix doom, sludge, noise rock, and psychedelic, progressive workouts into their style, producing music that sounds more like Ghold than it does anyone else. Continue reading “Ghold – Stoic (Review)”
This is nasty stuff. Starting with a harsh feedback-squeal and followed by some dirty bass, Moros start as they mean to go on and establish themselves early as playing the kind of abrasive, nasty music that any lover of Sludge can get on board with.
The vocals are high-pitched and laced with poison, seemingly able to cut flesh with ease just by sound alone.
There are some choice riffs on this release and their bass-heavy sound is an instant hit with a bass-lover like me. Their percussive know-how is enhanced by the vocal attack of their singer so that everything works together to create tracks that really, really hit the mark.
The music takes the template as laid down by Eyehategod, infuses it with the dynamic musical know-how of a band like Fudge Tunnel, adds the bass-led stomp of bands like Palehorse and Ghold, and liberally sprinkles the passion and filth of bands like Charger and Burning Witch into the mix. The result? Passionate, ugly Sludge Metal that sits well in the genre and is highly enjoyable. If you like getting your ears cleaned out with acid, that is.
Loved it. Moros get a big thumbs up.
This is heavy. This is slow. This is DOOM! This is good.
The band live up to their name, with Sludgy, bass-heavy riffs leading the way in a tsunami of sound designed to crush the senses and render the mind inert. Sonic sensory overload.
Destructively slow riffs meet with, (sometimes), up-tempo sections and pummelling drum rhythms to create forceful and energetic songs that soak up the raw essence of what it means to be Sludge, even when only playing for a short time; Judgement Whore is only 1:40 in length for example, but is pure filthy Doom greatness.
Imagine a mix of Eyehategod, Bismuth, Ghold and Khanate; now remove the vocals, remove the guitars and distil the essence into, (mostly), short songs. Black Tar Prophet are here. All hail.
I enjoy albums like this as generally speaking they are easy to become absorbed into. The bass simply expanding to consume everything else until it is the only thing left. Almost anyway, as Ghold are more than just the bass.
This is quite a distinctive brand of sludge and the vocals in particular mark it as out of the ordinary, almost like a one-man gang vocal. These heavy, deep vocals prowl the deep sludgy seas adding menacing and ritualistic tones to the music. Meanwhile the drums hammer out relentless rhythms and beats that supply the backbone to whatever the bass is doing.
A very primal feeling to this release, like something struggling to be born. A worthy addition to the genre.