This is the sixth album from US progressive metallers Leviathan.
The band’s 2014 album Beholden to Nothing, Braver Since Then was an album that I not only enjoyed when it came out, but is one that has definitely grown on me over time. The more I listen to it, the more I like it. Continue reading “Leviathan – Can’t Be Seen by Looking: Blurring the Lines, Clouding the Truth (Review)”
Hivetower are a US metal band and this is their debut EP.
I like this, it has character. On the longer side for an EP, (31 minutes), Hivetower have produced the type of metal album that pilfers willingly from a few different scenes and styles, while still managing to have a personality of its own. Continue reading “Hivetower – Lunacy (Review)”
This is the thirteenth album from Canadian death metal veterans Kataklysm.
I hugely enjoyed 2015’s Of Ghosts and Gods, and loved being able to catch the band live on that tour, so this new album is warmly anticipated. Continue reading “Kataklysm – Meditations (Review)”
Bleeding Through are a metalcore band from the US and this is their eighth album.
Bleeding Through were always one of the absolute best of the metalcore bands that appeared in the early 00s. Not only were they brutally aggressive, with a truly harsh side to their sound that was rarely matched by some of their contemporaries, but they also married this up with some first-rate songcraft, and a relatively unusual inclusion, (at the time), of Gothic keyboards. Continue reading “Bleeding Through – Love Will Kill All (Review)”
Follow the Cipher are a power metal band from Sweden and this is their debut album.
Here we have 45 minutes of slick, charismatic power metal. It’s professionally produced, delivered, and performed, and has a huge sound as you would want for something of this ilk. Continue reading “Follow the Cipher – Follow the Cipher (Review)”
Deathflux are a UK metal band and this is their debut album.
Deathflux play a heavy and aggressive brand of metal. Mixing influences from groove metal and the NWOAHM with some more contemporary deathcore ones, and adding in some Continue reading “Deathflux – Execrated (Review)”
This is the thirteenth album from veteran Finnish metal band Amorphis.
The latest Amorphis album contains another 57 minutes of the band’s charismatic and beguiling mix of folk and progressive-tinged metal and rock. Continue reading “Amorphis – Queen of Time (Review)”
This is the debut album from Italian metal band Gigantomachia.
Here’s a somewhat evocatively heroic release. Mixing elements of melodic, doom, death, and epic metal into a meaty metal base, Gigantomachia have produced 41 minutes of engaging metal. Continue reading “Gigantomachia – Atlas (Review)”
This is the second album from this Swedish thrash metal band.
Defiatory’s debut album Extinct was a notably enjoyable thrash attack, ably mixing together older influences into a modern take on aggressive thrash metal. Continue reading “Defiatory – Hades Rising (Review)”
Tantal are a Russian metal band and this is their third album.
Mixing elements of modern, progressive, melodic, and Gothic metal into 49 minutes of music, Ruin is the follow up to 2014’s Expectancy, which was a good starter for getting to know Tantal’s sound. Ruin sees the band Continue reading “Tantal – Ruin (Review)”
