Dog Day Sunrise are a heavy metal band from the US and this is their latest album.
Mixing heavy metal with blues/hard rock, Dog Day Sunrise sound like they have escaped form the 90s in many ways. I mean this as a compliment, of course, as I can imagine the band would have made a relatively big splash back then with the right backing and support, etc. Continue reading “Dog Day Sunrise – When the Sky Comes Down (Review)”
Between the Buried and Me are a progressive extreme metal band from the US. This is their eighth album.
There are very few bands out there that truly carve their own path into the crowded metal arena, but Between the Buried and Me are definitely one of them. They have been one of my favourite bands since 2003’s The Silent Circus, and they have never let me down yet. Continue reading “Between the Buried and Me – Automata I (Review)”
Dreamarcher are a Norwegian metal band and this is their latest EP.
Dreamarcher’s 2016 self-titled debut album was notable for its atypical approach to emotive heavy music. It was an enjoyable album, and Harding is even more so.
The impressive musical skills of the jazz-trained band members are put to good use across these 18 minutes of non-standard delivery and passionate intensity. Continue reading “Dreamarcher – Harding (Review)”
Entropy Coding is a one woman symphonic metal project from Italy, and this is her debut album.
This is sumptuous symphonic metal with power and progressive metal influences. The artist behind the band handles keyboards and composition duties, while many different guests fill the other necessary roles across the tracks. Continue reading “Entropy Coding – Tales of the Moon (Review)”
Deathwhite are a melodic metal band from the US and this is their debut album.
Having enjoyed Deathwhite’s material on 2014’s Ethereal and 2015’s Solitary Martyr, I was pleased when their obvious talent was recognised by Season of Mist. I’ve enjoyed witnessing them develop as a band over the years, and now we finally have Continue reading “Deathwhite – For a Black Tomorrow (Review)”
Oceans of Slumber are a progressive metal band from the US and this is their third album.
I have only the briefest of familiarity with Oceans of Slumber, based on seeing just part of their set at the 2016 Damnation Festival. They impressed me, so it’s great to finally be able to properly listen to and absorb some of their recorded material. Continue reading “Oceans of Slumber – The Banished Heart (Review)”
Forming the Void are a progressive stoner/sludge metal band and Pyreship are a post-metal band, both are from the US.
Forming the Void open the split with a single six and a half minutes of pleasant and personable modern progressive stoner metal. Continue reading “Forming the Void/Pyreship – Split (Review)”
This is the third album from French progressive metal band Eryn Non Dae.
Has it really been 6 years since 2012’s Meliora was released? Admittedly I only discovered it in 2104, but still. Ye gods! Meliora was a hugely distinctive and individual release, one that made a strong impression with me and that I’ve enjoyed exploring and getting to know over the years. Continue reading “Eryn Non Dae – Abandon of the Self (Review)”
This is a split release between Tentation and Iron Slaught, who are both heavy metal bands from France.
Tentation start us off. I’m familiar with them from their enjoyable 2015 self-titled release, where they introduced the world to their 80s-influenced classic heavy metal style. Continue reading “Tentation/Iron Slaught – 665 Les Hordes Metalliques – Split (Review)”
Crypt Rot are a death metal band and Cringer are a crossover thrash band, both are from the US and they have teamed up for this split release.
Kicking us off with 11 minutes of very enjoyable Swedish-styled death metal is Crypt Rot. Continue reading “Crypt Rot/Cringe – Nocturnal Deterioration | Memento Mori – Split (Review)”
Wonderbox Metal 