This is the second album from Spanish death metal band Eternal Storm.
A Giant Bound to Fall is a much anticipated album in the land of progressive death metal. 2019’s Come the Tide was a very well-regarded album, so five years later, what have the Eternal Storm of 2024 delivered to us? Continue reading “Eternal Storm – A Giant Bound to Fall (Review)”
This is the third album from Spanish death metal band Pestilength.
I’ve really been looking forward to hearing Solar Clorex, and its 36-minute experience has not disappointed. Self-styled as corrosive death metal, this appellation fits Pestilength’s music perfectly. Continue reading “Pestilength – Solar Clorex (Review)”
This is the debut album from US death metallers Sinistrum.
I’m not sure what initially drew me to check out Sinistrum, but as soon as I saw that they contain current and ex-members of Abominant, Bihargam, Aeons of Eclipse, and Fornicus, I knew I had to give this a proper go. Continue reading “Sinistrum – Infernal Dawn (Review)”
This is the second album from Contaminated, an Australian death metal band.
Having enjoyed 2014’s Pestilential Decay, 2017’s Final Man, and 2019’s split with Kutabare, I almost missed Celebratory Beheading when it appeared on my promo pile due to the different style of artwork. Yes, I’m apparently that easily confused! I’m glad I took a second look though, as it’s great to catch up with what Contaminated are up to these days. Continue reading “Contaminated – Celebratory Beheading (Review)”
Chapel of Disease are a German progressive death metal/rock band and this is their fourth album.
Whereas 2025’s The Mysterious Work of Repetitive Art was a sinuous slab of old-school death metal played with uncommon depth, 2018’s …And as We Have Seen the Storm, We Have Embraced the Eye took Chapel of Disease into much more progressive waters. Now, 6 years later, where does Echoes of Light find this exceptional act? Continue reading “Chapel of Disease – Echoes of Light (Review)”
Unaussprechlichen Kulten are a death metal band from Chile and this is their sixth album.
I enjoyed 2014’s Baphomet Pan Shub-Niggurath and 2017’s Keziah Lilith Medea (Chapter X), (somehow I managed to completely miss out on 2019’s Teufelsbücher), and now Unaussprechlichen Kulten have returned with the 43-minute Häxan Sabaoth. Continue reading “Unaussprechlichen Kulten – Häxan Sabaoth (Review)”
This is the fifth album from US death metal/deathcore band Enterprise Earth.
2020’s EP Foundation of Bones was a solid introduction to the band for me, but I really enjoyed 2022’s The Chosen. Yes it was too long, but I really liked the band’s ability to combine deathcore and death metal with a range of different ideas and influences to create something above the norm for the style. Two years and a new singer later, and Enterprise Earth have returned with Death: An Anthology, which delivers 59 minutes of new material. It has not disappointed. Continue reading “Enterprise Earth – Death: An Anthology (Review)”
This is the sixth album from French death metallers Exocrine.
A new Exocrine album is always a thing to be celebrated. 2018’s Molten Giant and 2020’s Maelstrom were both notable records, but then 2022’s The Hybrid Suns saw the band shift up a level once more. Now, hot on the heels of that last release, comes Legend, featuring 45 minutes of music, (40 without the bonus track). So what does Legend have to offer the discerning extreme metal fan in 2024? Continue reading “Exocrine – Legend (Review)”
This is the eleventh album from Blood Red Throne, a death metal band from Norway.
Containing 43 minutes of burly, crushing material, Blood Red Throne’s latest delivers an exemplar of classic death metal mastery. Nonagon feels both old-school and fresh, giving it a timeless vibe that I find much of the best death metal has. Continue reading “Blood Red Throne – Nonagon (Review)”
This is the second album from US death metallers Vitriol.
After enjoying Vitriol’s vicious assault live a few years ago I was left with the favourable impression of Hate Eternal/Nile-esque death metal fury, so I’m glad to be finally hearing one of their albums; it’s time to find out if these musical comparisons are appropriate or not. Continue reading “Vitriol – Suffer & Become (Review)”
Wonderbox Metal 