This is the latest EP from Austrian black metallers The Negative Bias.
Ever since first being exposed to The Negative Bias’s cosmic black metal on their split with Golden Dawn, I’ve been hungry for some more material from this band. As such, the 22 minutes on offer on Tapeworm Pyramids is very well-received. Continue reading “The Negative Bias – Tapeworm Pyramids (Review)”
This is the latest EP from Ukrainian post-black metallers White Ward.
Released to commemorate record label Debemur Morti‘s 200th release, this new EP contains two tracks, with a total duration of 17 minutes. Continue reading “White Ward – Debemur Morti (Review)”
This is a gargantuan four-way split, consisting of 15 tracks across a total duration of 96 minutes. Continue reading “Thy Darkened Shade/Amestigon/Inconcessus Lux Lucis/Shaarimoth – SamaeLilith: A Conjunction of the Fireborn – Split (Review)”
This is the fifth album from Cuban black metallers Narbeleth.
I always enjoy catching up with new Narbeleth material. If you’re unfamiliar with the band, also make sure you check out 2014’s A Hatred Manifesto, 2015’s Through Blackness and Remote Places, and 2017’s Indomitvs. Continue reading “Narbeleth – Svmma Cvm Nox Arcana (Review)”
This is the second album from Polish one-man post-black metal band Ennoven.
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Sordide are a black metal band from France and this is their fourth album.
Sordide deliver us 39 minutes of sharp, modern black metal. Continue reading “Sordide – Les Idées Blanches (Review)”
This is the third album from black metal band Klamm.
Misanthropocene is an interesting and engaging album that offers the listener a modern and layered interpretation of black metal. The style is rooted in the atmospheric one, but also takes in elements of the melodic, avant-garde, and post-black Continue reading “Klamm – Misanthropocene (Review)”
Noctule is a one-woman black metal band from the UK, and this is her debut album.
Brought to us by the singer/guitarist of Svalbard, Wretched Abyss is a 42-minute Skyrim-themed album that takes some of the darker and melodic elements you can hear in Svalbard’s sound, and wraps them around a blackened core. Continue reading “Noctule – Wretched Abyss (Review)”
This is the fourth album from Jarun, a Polish progressive black metal band.
Both 2015’s Pod Niebem Utkanym z Popiołu and 2017’s Sporysz were very enjoyable blackened progressive/folk hybrids, and their newest album continues Jarun’s unbroken run of high quality releases. Continue reading “Jarun – Rok Spokojnego Słońca (Review)”
This is the tenth album from Swiss black metal act Borgne.
Featuring a member of Enoid and Ancient Moon, Borgne play industrial black metal, and Temps Morts contains 73 minutes of the layered darkness. Continue reading “Borgne – Temps Morts (Review)”
Wonderbox Metal 