This is Ultha’s second album. They are a black metal band from Germany.
Now this is quite the find. Mixing elements of Burzum, Emperor, Wolves in the Throne Room and Lycus, Ultha mix old and new black metal with some crushing doom influences to produce 63 minutes of bleak melancholy and dark allure. Continue reading “Ultha – Converging Sins (Review)”
Dreariness are an Italian black metal band. This is their second album.
Dreariness combine depressive black metal with elements of post-black metal and shoegaze. The result is an impressive album that boasts a lot more depth and atmosphere than the majority of their depressive peers. Continue reading “Dreariness – Fragments (Review)”
This is the second album from Swedish black metallers Omnizide.
As the follow up to 2014’s very pleasing debut album Death Metal Holocaust, Nekroregime continues the band’s blackened assault on the senses, added to and infected by some good old-fashioned death metal influences here and there. Continue reading “Omnizide – Nekroregime (Review)”
Créatures is an avant-garde/experimental black metal one-man project from France and this is his debut album.
The vocals on this release are quite varied, shifting and morphing in line with the demands of the music. Apparently multiple guest vocalists contribute to the tracks, each having a different part to play in the narrative.
Sometimes we get a voice that’s full of commanding authority and blackened malice, sometimes even Continue reading “Créatures – Le Noir Village (Review)”
The Promise of Plague are an industrial black metal band from the US. This is their debut release.
Featuring members of Fatal Step, Astrum, Empyrean Asunder and the mighty Abominant, here we have 16 minutes of raw black metal with industrial/modern influences that place it somewhere between the underground and a more accessible area; not quite polished and commercial, but potentially getting there. Continue reading “The Promise of Plague – Sleepwalking into Armageddon (Review)”
Siberian Hell Sounds are from Australia and play black metal/blackened hardcore. This is their latest EP.
This is 18 minutes of blackened intensity and underground rage. Taking the basic imprint of black metal and running it through the grinder, Siberian Hell Sounds have poured hardcore and grindcore influences liberally over themselves so that their black metal is as abusive and contagious as possible. Continue reading “Siberian Hell Sounds – Svengali (Review)”
Rudra are a blackened extreme metal band from Singapore. This is their eighth album.
Despite being around for a very long time at this point, and despite having first heard of them an almost equally long time ago, this is my first actual encounter with Rudra and their so-called Vedic metal. Continue reading “Rudra – Enemy of Duality (Review)”
This is the second album from Italian black metal band Earth and Pillars.
It starts off softly, leaving you unprepared for what lies within…
This is atmospheric black metal with long songs and epic ambition.
Mixing repetitive atmospheric mood-pieces with suffocating Continue reading “Earth and Pillars – Pillars I (Review)”
This is the debut album from Abduction, a black metal band from France.
Une Ombre Régit les Ombres consists of songs that are epic in length and vision, blasting out of the darkness with confidence, style and much aplomb. The music is a mix of progressive black/death metal, more skewed to the blackened side of things, if only due to the atmospheres evoked and the rasping screams of the main vocals. Continue reading “Abduction – Une Ombre Régit les Ombres (Review)”
Laster are a black metal band from the Netherlands and this is their second album.
We’ve met Laster before, both on their debut album De Verste Verte Is Hier and on their split with Wederganger. Both times they’ve impressed with their atmospheric black metal, and this continues with their newest release. Continue reading “Laster – Ons Vrije Fatum (Review)”
Wonderbox Metal 