This is the eighth album from Hour of Penance, an Italian death metal band.
The follow up to 2017’s enjoyable Cast the First Stone, Misotheism offers the listener 41 minutes of professional, merciless death metal. Blending brutality and technicality well, this new album is easy to listen to if you’re a fan of solid, classically-delivered death metal. Continue reading “Hour of Penance – Misotheism (Review)”
Fit for an Autopsy are a deathcore band from the US and this is their fifth album.
This album follows on from 2017’s hugely enjoyable The Great Collapse, which stood tall and proud as an example of deathcore that took influence from the original parameters of the genre, but had also progressed beyond it. The Sea of Tragic Beasts finds the band continuing down their chosen path, merging deathcore ferocity with post-deathcore progressive atmospherics and emotional content. Continue reading “Fit for an Autopsy – The Sea of Tragic Beasts (Review)”
This is the debut album from US death metallers Coffin Rot.
Coffin Rot’s self-titled demo from last year made an impression, so how could I pass up on the band’s first full-length? All four tracks from that demo have made it to A Monument for the Dead, with the 32-minute running time rounded out by a further four new tracks. Continue reading “Coffin Rot – A Monument to the Dead (Review)”
This is the third album from US deathcore/death metal band Signs of the Swarm.
I enjoyed 2017’s The Disfigurement of Existence, which took the standard deathcore template and injected into it brutal slamming death metal and the very occasional bout of melody and atmosphere. On Vital Deprivation the band have returned with 27 minutes of new material, and a changed style and singer too. Continue reading “Signs of the Swarm – Vital Deprivation (Review)”
This is the sixth album from Entrails, a Swedish death metal band.
Entrails are a reliable death metal juggernaut. With both Obliteration and World Inferno the band produced highly enjoyable exemplars of the classic Swedish death metal style, and now with Rise of the Reaper they’re back once again with another 47 minutes of buzzsaw worship. Continue reading “Entrails – Rise of the Reaper (Review)”
Exhumed are a death metal band from the US and this is their seventh album.
How unexpected. If you’d have told me that in 2019 Exhumed’s newest album would be 26 minutes of gore-obsessed deathgrind, I’d certainly have been surprised. And I am. Maybe this is a reaction to the relative sophistication of Continue reading “Exhumed – Horror (Review)”
This is the second album from Gatecreeper, a death metal band from the US.
2016’s Sonoran Depravation and the band’s split release with Iron Reagan in 2018 were both extremely enjoyable, revealing a talent for old-school death metal. Deserted cements this and pushes further, providing 40 minutes of punishing and engrossing tunes. Continue reading “Gatecreeper – Deserted (Review)”
This is the second album from US death metallers Sempiternal Dusk.
Following up on 2014’s enjoyable self titled debut record, Sempiternal Dusk’s new album contains 37 minutes of doom-infused death metal. It’s rotten and foul, just how we like it. Continue reading “Sempiternal Dusk – Cenotaph of Defectuous Creation (Review)”
Godeater are a death metal band from the UK and this is their debut album.
This is a raging, angry slab of ferocious modern death metal. It blends modern technicality with significant atmosphere and a melodic sensibility that results in brutally effective songs that stick in the mind like barbed thorns. Continue reading “Godeater – All Flesh Is Grass (Review)”
This is the third album from Greek death metallers Murder Made God.
Here we have 40 minutes of modern death metal, providing a sound that’s meaty and professional. Well-delivered and well-written, Endless Return is an album that impresses on first exposure, but definitely Continue reading “Murder Made God – Endless Return (Review)”
Wonderbox Metal 