This is the debut demo from Hegemony, a blackened death metal band from the US.
This is ugly, ugly stuff. Raw black metal is mixed with bestial, underground death metal to create the kind of twisted, chaotic mindfuck that would make Revenge proud.
The delivery and performance on Continue reading “Hegemony – Demo MMXVI (Review)”
Inanimate Existence are a US death metal band and this is their third album.
Starting off softly, with ambient sounds and female vocals, this album is a different beast to the band’s last album A Never Ending Cycle of Atonement. Sure, the band haven’t completely changed, but they’ve definitely progressed a significant amount.
So if you take their Continue reading “Inanimate Existence – Calling from a Dream (Review)”
L’Incendio are an extreme metal band from Italy. This is their debut album.
L’Incendio have a death metal core that they build on with elements of other sub-genre styles, fleshing out their well-rounded assault in a wider-ranging way than many of their peers.
Combining atmosphere and accessibility into their Continue reading “L’Incendio – L’Incendio (Review)”
This is the seventh album from Throneum, a Polish death metal band.
This is ugly, raw death metal, produced by a band that have amassed a huge back catalog. Although quantity does not necessarily equate to quality, at this stage Throneum have been doing this long enough to know their way around the crypt they inhabit. Continue reading “Throneum – Morbid Death Tales (Review)”
In Obscurity Revealed are a blackened death metal band from Mexico and this is their debut EP.
Something about the cover of this release just made it impossible to pass over for review; as soon as I saw it I knew I had to listen to it and write words about it.
So here we are.
So what’s all this about then, I hear you ask? Continue reading “In Obscurity Revealed – Grim Fumes of Revelation (Review)”
Axxen Conners are a progressive death metal band from Turkey. This is their debut EP.
This short, sub-13 minute EP is an interesting listen. Professionally recorded with a solid sound, the band effectively showcase their metal vision.
The band play a sort of death metal that has a progressive/melodic edge, with elements of black metal stirred into Continue reading “Axxen Conners – Nowhere to Escape Sins (Review)”
Hailing from The Netherlands, this is the ninth album from legendary death metallers Asphyx.
Asphyx are a well-known band for a reason and new material from them is always welcome.
Incoming Death contains 48 minutes of colossal death metal, with huge riffs and drums that drop like bombs.
War-themed and crushingly heavy, this is an album that sweeps you away as soon as you start playing it. Sure, there are Continue reading “Asphyx – Incoming Death (Review)”
This is the fourth album from US death metallers Allegaeon.
This is an ambitious, epic release; 72 minutes of science fiction-themed grandeur and technical aggression.
The band’s music is technical, melodic death metal that features a lot of engaging content and some quite virtuoso playing. For a band like this, the level of technicality on display is always going to be high, but Allegaeon never Continue reading “Allegaeon – Proponent for Sentience (Review)”
This is the second album from Deprive, a one-man death metal band from Spain.
This is thickly emotive death metal, forged in the fires of the 90s metal scene. This was a time when death metal was allowed to be slower and incorporate elements of doom/death to increase the atmosphere, and this is something that Continue reading “Deprive – Temple of the Lost Wisdom (Review)”
This is the second album from Vulvodynia, a death metal band from South Africa.
Vulvodynia specialise in a form of brutal death metal that features a large helping of slam, beatdowns and deathcore/whatever – basically it’s brutal, bouncy and smashes the Hell out of everything around it.
This is heavy and groovy, designed to fuel violence in mosh pits Continue reading “Vulvodynia – Psychosadistic Design (Review)”
Wonderbox Metal 