Eleine are a Swedish symphonic metal band and this is their fourth album.
This is my first encounter with Eleine, and it’s a very favourable one. Playing a form of symphonic heavy metal with a distinctly high quality flavour and more metallic might than you might expect, We Shall Remain delivers 37 minutes of engaging music. Continue reading “Eleine – We Shall Remain (Review)”
This is the debut album from Weite, an international rock band.
Featuring members of Elder and High Fighter, Weite play a charismatic mix of 70s psychedelic, progressive, and experimental rock, with jazz elements. Assemblage is an instrumental record, and spends 39 minutes taking the listener on an expansive worldbuilding journey. Continue reading “Weite – Assemblage (Review)”
This is the third album from UK black metallers Deitus.
Irreversible contains 39 of black metal that traverses both the traditional and modern realms of the style. Upon first listen it’s quickly apparent that Deitus are no generic act, and subsequent spins only cements the view that they are definitely operating on a higher plane of existence than many of their so-called peers. Continue reading “Deitus – Irreversible (Review)”
This is the debut album from US metallic hardcore band End Reign.
The Way of All Flesh Is Decay is a 37-minute fist to the face that features current/ex-members of All out War, Exhumed, Integrity, Lock Up, Misery Index, Noisem, Pig Destroyer, and Scour unleashing sonic fury on the listener. Continue reading “End Reign – The Way of All Flesh Is Decay (Review)”
Calligram are a UK-based black metal band and this is their latest album.
Following on from 2020’s very well-received The Eye Is the First Circle, Calligram have now returned with 40 minutes of new material on Position | Momentum. Continue reading “Calligram – Position | Momentum (Review)”
Tailgunner are a heavy metal band from the UK and this is their debut album.
Boasting the endlessly enjoyable singing voice of the vocalist from the mighty Induction, Guns for Hire offers a 48-minute feast of classic heavy metal tunes for fans of the style to eagerly devour. Continue reading “Tailgunner – Guns for Hire (Review)”
This is the second album from German black metal band Servant.
Aetas Ascensus contains 48 minutes of black metal played in the old-school Scandinavian way. Competent in both the melodic and symphonic styles, Servant’s music is effortless to enjoy if you’re a fan of the cold blackened arts. Continue reading “Servant – Aetas Ascensus (Review)”
This is the debut album from, Uamh, a solo black metal band from the US.
At the Edge of the Loch is a 42-minute atmospheric black metal album that has a Celtic influence. Raw, but not overly so, the entire experience of this album is one that has quality of execution woven deep into its makeup. Continue reading “Uamh – At the Edge of the Loch (Review)”
This is the third album from Indian death metallers Gutslit.
Oh wow, has it really been six years since the crushing Amputheatre? Apparently so. Nevertheless, Gutslit have finally returned to the death metal killing arenas, armed with 30 minutes of gruesome new material in the spiked, brutal shape of Carnal. Continue reading “Gutslit – Carnal (Review)”
Fen are a UK black metal band and this is their seventh album.
I last caught up with Fen on their 2017 album Winter. Apparently they’ve had another album since then, (The Dead Light), which I somehow managed to completely miss, which is a shame. Regardless, it’s now time for Monuments to Absence and its 67 minutes of music to absorb. Continue reading “Fen – Monuments to Absence (Review)”
Wonderbox Metal 