Matador are a post-metal band from the UK and this is their third album.
Matador play a compelling mix of post-metal, doom, sludge, and post-rock. That’s a lot of tags, but the music brings them together quite seamlessly. Above, Below, and So contains 42 minutes of material, and it’s a record that Continue reading “Matador – Above, Below, and So (Review)”
Cryptic Shift are a death/thrash metal band from the UK and this is their second album.
Do you remember when Cryptic Shift opened their 2020 debut album Visitations from Enceladus with a 26-minute song? Well, now they’re back with a new album called Overspace & Supertime, and, with a duration of 82 minutes, it Continue reading “Cryptic Shift – Overspace & Supertime (Review)”
Olhava are a Russian atmospheric/post-black metal band and this is their seventh album.
Olhava have built up an eviable body of work, including 2021’s Frozen Bloom, 2022’s Reborn and 2024’s Sacrifice. This brings us nicely to the 78-minute Memorial, a record that takes us on another gargantuan excursion into post-blackened waters. Continue reading “Olhava – Memorial (Review)”
This is the second album by Belgian post-hardcore band Ronker.
Respect the Hustle, I Won’t Be Your Dog Forever contains 40 minutes of atypical, multifaceted post-hardcore. Ronker’s music is not always easy to categorise, but it is easy to like. Very easy, in fact. Yep, Ronker have unleashed Continue reading “Ronker – Respect the Hustle, I Won’t Be Your Dog Forever (Review)”
This is the second album from UK post-black metal band Unmother.
State Dependent Memory contains 38 minutes of modern/post-black metal, which includes a cover of a band called ΟΔΟΣ 55, here transmuted into something Continue reading “Unmother – State Dependent Memory (Review)”
Exhumed are a death metal band from the US and this is their ninth album.
Exhumed have been slaughtering their way across the death metal scene for long enough that any new material is feverishly greeted by bloodstained grins by a those in the know. Yep, Exhumed rule, and this time they’ve taken their gore-obsessed death metal mobile – Red Asphalt is a 37-minute hymn to Continue reading “Exhumed – Red Asphalt (Review)”
This is the fourth album from Norwegian solo black metal act Misotheist.
Brought to us by the artist behind Diabolus, Mecum Semperterne!, Enevelde, and Kråbøl, De Pinte contains 41 minutes of violent otherworldly black metal. Misotheist carve a space into black metal’s crowded landscape that belongs purely to De Pinte. This is an album that Continue reading “Misotheist – De Pinte (Review)”
Diabolus, Mecum Semperterne! are a black metal band from Norway and this is their debut album.
Brought to us be current/ex-members of bands such as Enevelde, Kråbøl, Lethe, Manes, Misotheist, Parfaxitas, Vemod, and Whoredom Rife, there’s a lot of experience that sits behind this project. Diabolus, Mecum Semperterne! is a 44-minute black metal incursion that will Continue reading “Diabolus, Mecum Semperterne! – Diabolus, Mecum Semperterne! (Review)”
This is the third album from international, (Greece/US), blackened death metallers Phasma.
Phasma play an interesting and intense mix of black and death metal, cut with elements of doom and deathcore. Purgatory contains 26 minutes of dark violence, and it’s Continue reading “Phasma – Purgatory (Review)”
This is the seventh album from UK metal band Sylosis.
Following on from 2023’s extremely strong A Sign of Things to Come, The New Flesh contains 50 minutes of new material from Sylosis. It’s heavy, riffy, and good fun all-round. Continue reading “Sylosis – The New Flesh (Review)”
Wonderbox Metal 