Svnth are an Italian blackgaze band and this is their fourth album.
I’ve enjoyed watching Svnth develop over the years, back when they were called Seventh Genocide on 2017’s Toward Akina and 2018’s Svnth, and then when they changed their name for 2020’s Spring in Blue, which was their strongest outing yet, even making it onto my year end list. Which brings us, five years and a lineup change later, to the 37-minute Pink Noise Youth. Continue reading “Svnth – Pink Noise Youth (Review)”
Rothadás are a death/doom band from Hungary and this is their second album.
Töviskert… a Kísértés Örök Érzete… Lidércharang almost passed me by, but I heard enough underground buzz about it that I had to check it out. I’m glad I did, as Rothadás have produced a monstrous slab of doom-inflused death metal. Continue reading “Rothadás – Töviskert… a Kísértés Örök Érzete… Lidércharang (Review)”
Unfleshing are a blackened crust band from the US and this is their debut album.
Violent Reason is a 25-minute snarling monstrosity of black metal, hardcore, crust, and grindcore. Unfleshing’s debut record is a beast. Continue reading “Unfleshing – Violent Reason (Review)”
This is the second album from black metal band Blood Abscission.
I I contains 41 minutes of black metal that’s melodic and atmospheric. However, this is such a simple description for something so exceptional. Blood Abscission have created a record that’s destined to stay with me for some time. Holy crap this is good. Continue reading “Blood Abscission – I I (Review)”
This is the debut album from US post-metal band Idle Heirs.
Featuring the singer of Coalesce, Life Is Violence brings us a 51-minute journey into absorbing post-metallic worldbuilding. It’s well-written, professionally executed, and passionately delivered. Continue reading “Idle Heirs – Life Is Violence (Review)”
This is the second album from Greek doom band Church of the Sea.
Church of the Sea play an evocative form of doomgaze. The component parts of Eva are doom, shoegaze, electronic rock, and darkwave. These are brought together by the band into a 31-minute exploration of ethereal soundscapes. Continue reading “Church of the Sea – Eva (Review)”
This is the fifth album from Swedish death/doom band Soliloquium.
It’s always a pleasure to receive a new Soliloquium album. 2020’s Things We Leave Behind and 2022’s Soulsearching both hit harder than the melodic death/doom style typically does for me. Will the 57-minute, (with bonus track), Famine continue this high quality trend? Continue reading “Soliloquium – Famine (Review)”
Messa are an Italian doom band and this is their fourth album.
Messa are one of the more notable bands to appear in recent times. I’ve thoroughly enjoyed watching them progress from 2016’s Belfry, to 2018’s Feast for Water, to 2022’s Close, all the time enriching and refining their doomy sound ever further. In fact, the latter two albums appeared on my end of year lists for their respective years. All of which is to say; expectations are high for The Spin. Continue reading “Messa – The Spin (Review)”
This is the fourth album by Polish death metallers Dormant Ordeal.
2021’s The Grand Scheme of Things was a notable slab of death metal heaviness, so I’ve been looking forward to Tooth and Nail. Across 47 minutes Dormant Ordeal once again showcase their expressive brand of Polish death metal. Continue reading “Dormant Ordeal – Tooth and Nail (Review)”
This is the third album from French deathgrinders Putrid Offal.
Wow, has it really been ten years since 2015’s Mature Necropsy? That’s depressing. Less depressing is that we have a new Putrid Offal album to ease the terrible passage of time. With 35 minutes of new material, Obliterated Life is a wrecking ball of deathgrind nastiness. Continue reading “Putrid Offal – Obliterated Life (Review)”
Wonderbox Metal 