This is the debut album from US death metal band Blood Monolith.
The Call of Fire contains 28 minutes of death metal, and is brought to us by current/ex-members of Genocide Pact, Nails, Ulthar, Undeath, and Vastum. Blood Monolith are ruthlessly savage, delivering a record that’s murderously good. Continue reading “Blood Monolith – The Calling of Fire (Review)”
This is the second album from Decrepisy, a death metal band from the US.
Brought to us by current/ex-members of bands such as Acephalix, Ascended Dead, Coffin Rot, Necrot, Ritual Necromancy, Vastum, and Voidceremony, Deific Mourning is the 45-minute follow up to 2021’s enjoyable Emetic Communion. Let’s see what this new record is all about then, shall we? Continue reading “Decrepisy – Deific Mourning (Review)”
This is the fifth album from Vastum, a death metal band from the US.
It’s a rather shocking ten years since I last heard Vastum, (2013’s Patricidal Lust), so getting reacquainted with the band’s music is long overdue. I’m glad I did, as Inward to Gethsemane is a monster. Continue reading “Vastum – Inward to Gethsemane (Review)”
This is the fourth album from Canadian death metallers Tomb Mold.
Following on from 2018’s Manor of Infinite Forms and 2019’s Planetary Clairvoyance, comes The Enduring Spirit; 43 minutes of eagerly awaited material from an extremely well-regarded band. Continue reading “Tomb Mold – The Enduring Spirit (Review)”
Acephalix are a death metal band from the US and this is their fourth album.
Theothanatology, (which features a member of Draghkar/Vastum), is an album of blunt brutality, repeatedly slamming broken bits of gravestone into your head across 32 minutes of death metal barbarity. Continue reading “Acephalix – Theothanatology (Review)”
This is the second album from US death metallers Mortuous.
Featuring current and ex-members of bands like Exhumed, Necrot, Rude, Swamp Witch, and Vastum, Upon Desolation contains 38 minutes of brutal doom-infected death metal carnage. Continue reading “Mortuous – Upon Desolation (Review)”
Draghkar are a US death metal band and this is their debut album.
I’m a big fan of Draghkar’s work, (here, here, here), and have really enjoyed watching the band develop over the years, from a one-man act, (see also Azath), to a fully-fledged band, (featuring the singer of Vastum, as well as musicians from other Continue reading “Draghkar – At the Crossroads of Infinity (Review)”
Vastum are from the US and play Death Metal; Patricidal Lust is their second album.
How’s that for some album artwork, eh? What’s all that about then? Top work.
Vastum specialise in Old-School Death Metal with a dollop of Doom and Crust thrown in for good measure. Incantation and Autopsy should be your first reference points. Vastum are their own entity of course and they play this style of Classic Death Metal remarkably well.
The songs are harrowing tales of the dark side of humanity and the music is the perfect representation of this.
Each track is well-written and everything on this release sounds powerful and ancient. The singer bellows with fervour and the music rages and dirges in equal amounts.
The solos are well executed and add spice to the Doomy riffing. Leads add colour and overall these songs have a lot of substance to them, with the longer length of the songs allowing the band to cram a lot in.
As the Classic Death Metal style goes this is a strong album full of good songs. Put this on your list of albums to get this month, you won’t regret it.
Wonderbox Metal 