Cognitive are a US technical death metal band and this is their third album.
Matricide is the follow up to 2016’s Deformity, which was a record that I really enjoyed. Continue reading “Cognitive – Matricide (Review)”
Cognitive are a US technical death metal band and this is their third album.
Matricide is the follow up to 2016’s Deformity, which was a record that I really enjoyed. Continue reading “Cognitive – Matricide (Review)”
Bloodtruth are an Italian death metal band and this is their second album.
Bloodtruth’s 2014 debut album Obedience was characterised by crisp brutality, efficient technicality, and, unusually, the occasional Gregorian chant. You can think of Martyrium as a refinement of the process that was started on Obedience, only this time with an added concept for the entire album. Continue reading “Bloodtruth – Martyrium (Review)”
This is the fourth album from US death metal band Horrendous.
Horrendous are a notable and important band in the death metal underground, I’d posit. As evidence I’d cite albums such as Ecdysis and Anareta, at the very least. Continue reading “Horrendous – Idol (Review)”
This is the seventh album from Revocation, a US death metal band.
Following up 2016’s enjoyable Great Is Our Sin, this is Revocation’s darkest and most aggressive work so far. Over their existence the band have managed to balance their death and thrash metal influences in an effective ratio, with Continue reading “Revocation – The Outer Ones (Review)”
This is the third album from French death metallers Exocrine.
Playing modern technical death metal, Molten Giant gives us 35 minutes of material, as well as some pretty damn monstrous cover art. Continue reading “Exocrine – Molten Giant (Review)”
This is the debut album from Gravewards, a Greek death metal band.
I have fond recollections of 2017’s Subconscious Lobotomy, so was pleased to see this band’s debut album appear. It’s 43 minutes of old-school death metal that’s influenced by the death metal greats from the 90s, while Continue reading “Gravewards – Ruinous Ensoulment (Review)”
This is the debut album from US death metallers Mouth of Sauron.
Hearken the Echo of Music contains 39 minutes of music, and exists at the nexus of where brutal, technical, and progressive death metal collide. Continue reading “Mouth of Sauron – Hearken the Echo of Music (Review)”
Obscura are a progressive/technical death metal band from Germany and this is their fifth album.
As I’ve said frequently in the past, I like an album that feels like a journey, and this is definitely one such album. With a depth of songwriting and skill that many bands aspire to and few achieve, Diluvium is a masterclass in what a progressive/technical death metal band can achieve. Continue reading “Obscura – Diluvium (Review)”
Depths of Hatred are a Canadian death metal band and this is their latest EP.
Here we have 22 minutes of Depths of Hatred’s brand of punishing intensity. Mixing together multiple strains of death metal with some decent character and a professional recording, the band’s modern attack is easy to recommend. Continue reading “Depths of Hatred – Bloodguilt (Review)”
This is the second album from Algerian death metallers Lelahell.
Lelahell’s 2014 debut album Al Insane…The (Re)birth of Abderrahmane was a brutal collection of tracks with some exotic flourishes included to spice things up; not only an enjoyable album, but a striking and memorable one too. Continue reading “Lelahell – Alif (Review)”