Agriculture are a black metal band from the US and this is their debut album.
Agriculture is a 31-minute black metal album that combines post-black metal, blackgaze, noise rock, and post-rock ingredients into a charismatic whole. Agriculture, (who contain a member of Ehnahre), are a band that play with passion and energy, and this is a release that is hideously enjoyable if you’re a fan of the style. Continue reading “Agriculture – Agriculture (Review)”
Urbain are a black metal band from the US and this is their debut album.
With a description of urban black metal, and a recommendation for fans of Emperor, White Ward, early Dimmu Borgir, and Cradle of Filth, I was intrigued to hear what Urbain had to offer. The fact that the band contain members of Ovnev and Wills Dissolve was further reason, if any were needed. Continue reading “Urbain – A Soul Purged (Review)”
This is the third album from UK black metallers Deitus.
Irreversible contains 39 of black metal that traverses both the traditional and modern realms of the style. Upon first listen it’s quickly apparent that Deitus are no generic act, and subsequent spins only cements the view that they are definitely operating on a higher plane of existence than many of their so-called peers. Continue reading “Deitus – Irreversible (Review)”
Fen are a UK black metal band and this is their seventh album.
I last caught up with Fen on their 2017 album Winter. Apparently they’ve had another album since then, (The Dead Light), which I somehow managed to completely miss, which is a shame. Regardless, it’s now time for Monuments to Absence and its 67 minutes of music to absorb. Continue reading “Fen – Monuments to Absence (Review)”
This is the third album from Aodon, a black metal band from France.
Portraits is the follow up to 2020’s 11069, and features 46 minutes of sleek, quality material. If you liked 11069, then Portraits is the upgraded version. Continue reading “Aodon – Portraits (Review)”
Autumn Nostalgie from Slovakia and Hænesy from Hungary are both black metal bands, and this is their latest split release.
Across a total of 32 minutes, each band provide two songs to Awaking Mechanon. Autumn Nostalgie’s contribution lasts 18 minutes and Hænesy’s 14 minutes. Continue reading “Autumn Nostalgie/Hænesy – Awaking Mechanon – Split (Review)”
This is the fifth album from Moonreich, a French black metal band.
Moonreich’s aggressive brand of modern black metal is always good to hear. Following on from 2018’s Fugue and 2019’s Wormgod, Amer contains 43 minutes of new material from this enjoyable band. Continue reading “Moonreich – Amer (Review)”
This is the second album from Indonesian post-black metal band Numeron.
Road to Valhalla is a 43-minute exploration of atmospheric black metal and blackgaze, delivered in a post-black metal package that’s passionately performed. Numeron have produced a well-crafted slice of expressive darkness. Continue reading “Numeron – Road to Valhalla (Review)”
This is the debut album from Polish post-black metal band Cursebinder.
Featuring the vocalist of Dormant Ordeal, (and also ex-Moanaa), Cursebinder play black metal that contains elements of doom, blackgaze, post-rock, and progressive metal. Continue reading “Cursebinder – Drifting (Review)”
This is the second album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Well this is unexpected. Having only unleashed the stunning Ψευδομένη on an unsuspecting world in January, we now get the equally unexpected Τρωθησομένη – 38 minutes of tasty new material from the very talented, (and apparently very prolific), artist behind Ὁπλίτης, (as well as Vitriolic Sage). Continue reading “Ὁπλίτης (Hoplites) – Τρωθησομένη (Review)”
Wonderbox Metal 