I’ve never been to The Hairy Dog before, but it’s a great venue with a good vibe and good sound system. I don’t actually think I’ve ever been to Derby before at all, but if anything was going to entice me here, it was this year’s Reaper Festival, brought to us by the wonderful Reaper Agency UK. It was a great day overall, and I’d gladly attend such a well-organised show again. Sadly I could only make day one of the festival, which is a shame, as day two has many great bands too. Continue reading “Reaper Festival 2023 – Day One: Saturday – Ultha/Darkher/Coscradh/Dawn Ray’d/The Sun’s Journey Through the Night/Ruadh/Calligram/Cairns – Derby The Hairy Dog, 29/07/23 (Live Review)”
Tag: Post-Black Metal
Agriculture – Agriculture (Review)
Agriculture are a black metal band from the US and this is their debut album.
Agriculture is a 31-minute black metal album that combines post-black metal, blackgaze, noise rock, and post-rock ingredients into a charismatic whole. Agriculture, (who contain a member of Ehnahre), are a band that play with passion and energy, and this is a release that is hideously enjoyable if you’re a fan of the style. Continue reading “Agriculture – Agriculture (Review)”
Urbain – A Soul Purged (Review)
Urbain are a black metal band from the US and this is their debut album.
With a description of urban black metal, and a recommendation for fans of Emperor, White Ward, early Dimmu Borgir, and Cradle of Filth, I was intrigued to hear what Urbain had to offer. The fact that the band contain members of Ovnev and Wills Dissolve was further reason, if any were needed. Continue reading “Urbain – A Soul Purged (Review)”
Deitus – Irreversible (Review)
This is the third album from UK black metallers Deitus.
Irreversible contains 39 of black metal that traverses both the traditional and modern realms of the style. Upon first listen it’s quickly apparent that Deitus are no generic act, and subsequent spins only cements the view that they are definitely operating on a higher plane of existence than many of their so-called peers. Continue reading “Deitus – Irreversible (Review)”
Fen – Monuments to Absence (Review)
Fen are a UK black metal band and this is their seventh album.
I last caught up with Fen on their 2017 album Winter. Apparently they’ve had another album since then, (The Dead Light), which I somehow managed to completely miss, which is a shame. Regardless, it’s now time for Monuments to Absence and its 67 minutes of music to absorb. Continue reading “Fen – Monuments to Absence (Review)”
Aodon – Portraits (Review)
This is the third album from Aodon, a black metal band from France.
Portraits is the follow up to 2020’s 11069, and features 46 minutes of sleek, quality material. If you liked 11069, then Portraits is the upgraded version. Continue reading “Aodon – Portraits (Review)”
Autumn Nostalgie/Hænesy – Awaking Mechanon – Split (Review)
Autumn Nostalgie from Slovakia and Hænesy from Hungary are both black metal bands, and this is their latest split release.
Across a total of 32 minutes, each band provide two songs to Awaking Mechanon. Autumn Nostalgie’s contribution lasts 18 minutes and Hænesy’s 14 minutes. Continue reading “Autumn Nostalgie/Hænesy – Awaking Mechanon – Split (Review)”
Moonreich – Amer (Review)
This is the fifth album from Moonreich, a French black metal band.
Moonreich’s aggressive brand of modern black metal is always good to hear. Following on from 2018’s Fugue and 2019’s Wormgod, Amer contains 43 minutes of new material from this enjoyable band. Continue reading “Moonreich – Amer (Review)”
Numeron – Road to Valhalla (Review)
This is the second album from Indonesian post-black metal band Numeron.
Road to Valhalla is a 43-minute exploration of atmospheric black metal and blackgaze, delivered in a post-black metal package that’s passionately performed. Numeron have produced a well-crafted slice of expressive darkness. Continue reading “Numeron – Road to Valhalla (Review)”
Cursebinder – Drifting (Review)
This is the debut album from Polish post-black metal band Cursebinder.
Featuring the vocalist of Dormant Ordeal, (and also ex-Moanaa), Cursebinder play black metal that contains elements of doom, blackgaze, post-rock, and progressive metal. Continue reading “Cursebinder – Drifting (Review)”
