This is the second album from Polish solo post-black metal band Miasme.
Keep Them at a Distance contains 43 minutes of engaging music. The artist behind Miasme convinces easily with a striking display of hybrid blackened post-metal that feels very contemporary, yet also timeless in its flavour. Continue reading “Miasme – Keep Them at a Distance (Review)”
This is the sixth album from Ellende, a solo black metal band from Austria.
Following on from 2024’s Todbringerin, Zerfall contains 52 minutes of new material. The artist behind Ellende specialises in post-black metal that uses blackgaze elements to produce emotive, mood-focused music. Continue reading “Ellende – Zerfall (Review)”
Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
This is the debut album from French post-black metallers Jours Pâles.
Jours Pâles have been a band to not miss out on ever since 2021’s delectable Éclosion. Followed swiftly in 2022 by Tensions and then again in 2024 with Dissolution. With 58 minutes of new material to captivate and entrance the listener with, Résonances is another winner from Jours Pâles. Continue reading “Jours Pâles – Résonances (Review)”
This is the second album from US solo post-black metal band Flowers of Rust.
Crude Exhibitions of the Soul contains 33 minutes of post-black metal that’s of an uncommon variety. Flowers of Rust is an act with a different voice, and it uses it to command and demoralise. Continue reading “Flowers of Rust – Crude Exhibitions of the Soul (Review)”
This is the debut album by German post-black metallers Hæresis.
Si Vis Pacem Para Bellum contains four tracks, with a duration of 41 minutes in total. Hæresis offer up a feast of foreboding hostility, and will ably reward anyone into acts such as Akhlys, Black Birch, Der Weg Einer Freiheit, Terzij de Horde, This Gift Is a Curse, Ultha, and Wiegedood. Continue reading “Hæresis – Si Vis Pacem Para Bellum (Review)”
Terzij de Horde are a black metal band from the Netherlands and this is their third album.
Whether it’s 2015’s Self or 2022’s In One of These, I Am Your Enemy, Terzij de Horde being the intensity. Now they’re back, sooner than expected, with the 43-minute Our Breath Is Not Ours Alone, and it absolutely rages. Continue reading “Terzij de Horde – Our Breath Is Not Ours Alone (Review)”
Agriculture are a post-black metal band from the US and this is their second album.
The Spiritual Sound is the 44-minute follow up to 2023’s well-received Agriculture. Combing a range of diverse ingredients into an engaging post-black metal sound, Agriculture’s new record is a step up for the band. Continue reading “Agriculture – The Spiritual Sound (Review)”
This is the debut album from UK blackgaze band Æl-Fierlen.
Æl-Fierlen play an evocative form of blackened Gothic metal, (for lack of a better term), that incorporates atmospheric black metal, doom, blackgaze, and folk into a compelling musical framework. Containing 34 minutes of music, All Is Far Away is an underground gem of an album. Continue reading “Æl-Fierlen – All Is Far Away (Review)”
Heretoir are a post-black metal band from Germany and this is their fourth album.
Following on from 2023’s Nightsphere comes Solastalgia, which brings us 63 minutes of new music from Heretoir, (which includes an In Flames cover). I confess, I wasn’t expecting this to be as good or as impactful as it is. Continue reading “Heretoir – Solastalgia (Review)”
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