Echtra is a one man black metal/drone band, and this is his fourth album.
All Echtra songs clock in at 23 minutes, and BardO contains two of them. Across these sprawling tracks depth and texture is achieved through a variety of instruments that are used in conjunction with each other to create a tapestry of atmospheric darkness and light. Continue reading “Echtra – BardO (Review)”
This is the second album from Corpsessed, a Finnish death metal band.
It’s seems like a very long time since 2014’s Abysmal Thresholds was released on an unsuspecting world, so it’s great to finally have some new material unleashed from Corpsessed. Their debut remains a favourite of mine, so this new one – 48 minutes of material – is very well-received. Continue reading “Corpsessed – Impetus of Death (Review)”
Unearth are a metalcore band form the US and this is their seventh album.
It’s been many years since I’ve caught up with Unearth, but it seems they’re largely the same band that I remember. Continue reading “Unearth – Extinction(s) (Review)”
This is the debut album from Polish grindcore band Psychoneurosis.
Despite forming in 1991, this is Psychoneurosis’ first full length. The band reactivated in 2016 after being quiet for a decade and a half. I became familiar with Psychoneurosis through their recent split with Agathocles, which I quite enjoyed. Continue reading “Psychoneurosis – The Fall of Humanity (Review)”
This is the debut album from Canadian modern progressive metal band Technical Damage.
This is modern metal that enjoys incorporating a few different styles and genres into itself. The core of the band falls somewhere between technical metal, djent, hardcore/metalcore, and modern death metal. This forms the bedrock of the band’s Continue reading “Technical Damage – The Introspect (Review)”
Ancst are a blackened crust band from Germany and this is their latest EP.
I always enjoy catching up with Ancst. This prolific band seem to almost always have a new release coming out. Continue reading “Ancst – Abolitionist (Review)”
This is the second album from Sadhus “The Smoking Community”, a sludge metal band from Greece.
After enjoying their 2016 split with Agnes Vein, this is my first chance to get to grips with a Sadhus “The Smoking Community” full length album. Big Fish gives us 34 minutes of smoky heaviness and savage stoner doom sludge. Continue reading “Sadhus “The Smoking Community” – Big Fish (Review)”
This is the latest abomination from Ævangelist, a blackened atmospheric death metal monstrosity from the US/Finland.
Something is moving in the night. Something is writhing in the murk. It’s ugly, foul, and destined to cloud everything in a miasma of disgusting horror. Continue reading “Ævangelist – Matricide in the Temple of Omega (Review)”
This is the debut album from Barbarian Hermit, a stoner/sludge metal band from the UK.
With a thick, heavy sound, Barbarian Hermit explode out of the speakers with big riffs and a forceful presence. No messing around, no stupid intros, just straight into the good stuff. Just as I like it. Continue reading “Barbarian Hermit – Solitude and Savagery (Review)”
Sigh are a Japanese black/avant-garde metal band and this is their eleventh album.
A new Sigh album is always somewhat of an event, and you never really quite know what you’re going to be getting yourself into with it. This latest album follows on after the symphonic blackened offering of 2015’s Graveward, but distances itself from its predecessor quite significantly by giving us 53 minutes of material that’s been influenced by folk and old/obscure progressive rock more than ever before. Continue reading “Sigh – Heir to Despair (Review)”
Wonderbox Metal 