Beastwars are a sludge/stoner metal band from New Zealand and this is their fourth album.
The return of Beastwars is to be celebrated, and what better way than to embrace 38 minutes of new, riff-worshipping, hard rocking metal tunes? Continue reading “Beastwars – IV (Review)”
This is the second album from Morass of Molasses, a stoner rock/metal band from the UK.
The Ties That Bind is a hard rocking stoner metal album that combines elements of sludge rock, doom, and distorted blues into its style. Continue reading “Morass of Molasses – The Ties That Bind (Review)”
Wolf Blood are a US doom metal band and this is their second album.
2014’s Wolf Blood made a great impression on me, but it would be another four years before we heard from them again. Then, last year’s Tsunami/Home appeared. It may have been short, but it was mighty. Well, I’m very pleased to say that there’s no four-year Continue reading “Wolf Blood – II (Review)”
Veil of Deception are a metal band from Austria. This is their third album.
This is the follow up to 2015’s Tearing up the Roots, and offers 48 minutes of metallic anthems and energetic riffs. Continue reading “Veil of Deception – Dissident Voices (Review)”
This is the third album from US doom metal band Destroyer of Light.
I really liked 2018’s Hopeless, and really wanted that EP to be the herald of good things for their next album. It turns out that it was, and Mors Aeterna is just as good, if not better, than I was hoping for. Continue reading “Destroyer of Light – Mors Aeterna (Review)”
This is the fifth album from US hard/stoner rockers Lo-Pan.
This sort of highly engaging and infectious stoner-influenced hard rock is not typically my sort of thing most of the time, but it’s hard to deny how damn good Lo-Pan are at what they do. I really, really got Continue reading “Lo-Pan – Subtle (Review)”
This is the eleventh album from Soilwork, a veteran Swedish metal band.
Soilwork’s eleventh album mixes melodic death metal with fat grooving riffs and a hard rock sensibility that sits at the heart of the band, allowing them to straddle the worlds of metal and rock quite effectively. Having said that, it should be clarified that the rock aspects of this album are mainly hidden underneath a firmly metal veneer; they inform, without overpowering. Continue reading “Soilwork – Verkligheten (Review)”
Chapel of Disease are a German death metal band and this is their third album.
2015’s The Mysterious Ways of Repetitive Art stood out for its dark individuality and bleak delivery. Here was a band that took the old-school death metal template and added an atmospheric, sometimes doom-laden twist to it. It was a very effective record. Continue reading “Chapel of Disease – …And as We Have Seen the Storm, We Have Embraced the Eye (Review)”
Striker are a Canadian heavy metal band and this is their sixth album.
I really like Striker. Simple, effective, well-written, and catchy as Hell, their music is just so timelessly appealing and pleasurable to listen to. That’s basically how I feel whenever I give 2017’s Striker a spin, but the same can be said, (and I am saying it), about Play to Win. Continue reading “Striker – Play to Win (Review)”
Forming the Void are a progressive stoner/sludge doom band from the US. This is their fourth album.
After enjoying Forming the Void’s split with Pyreship, I was eager to hear more from the band. Thankfully, that desire has been catered to in the form of Rift; 46 minutes of new material for me to wrap my ears around. Continue reading “Forming the Void – Rift (Review)”
Wonderbox Metal 