This is the fifth album from Austrian solo black metal band Rauhnåcht.
My last encounter with Rauhnåcht was 11 years ago (!) on Urzeitgeist, so I’m long overdue a visit to these pagan black metal lands. Across 41 minutes of material, Zwischenwelten reveals an artist that has apparently only continued to refine and improve his art over time. Continue reading “Rauhnåcht – Zwischenwelten (Review)”
Wolvencrown are a black metal band from the UK and this is their second album.
After 2019’s very enjoyable Of Bark and Ash, Wolvencrown have now returned with the majestic Celestial Lands. Bigger, better, and more ambitious, the Wolvencrown of 2024 is a formidable force. Continue reading “Wolvencrown – Celestial Lands (Review)”
This is the second album from Canadian post-black metal band Hell Is Other People.
Moirae contains 44 minutes of music that combines elements of depressive, atmospheric, and post-black metal, (with a touch of doom), into a cohesive whole. Hell Is Other People, (who contain a member of Æpoch), are recommended by the promo blurb for fans of Agalloch, Altar of Plagues, Winterfylleth, White Ward, and Drudkh, so that should give you a decent starting point for their sound. Continue reading “Hell Is Other People – Moirae (Review)”
This is the fourth album from UK black metal band Aklash.
According to the promo blurb, Aklash “…cite Drudkh, Wolves in the Throne Room, and Judas Priest as key influences”, which sounds like an interesting enough mix to me to merit further investigation. That description doesn’t quite do Reincarnation justice though, as Aklash’s music is diverse and rich. Continue reading “Aklash – Reincarnation (Review)”
This is the second album from Norwegian black metallers Vemod.
The Deepening contains 48 minutes of dark blackened worldscapes. It’s the sort of record that is worth exploring in a thorough and comprehensive manner, as there are many rewards to be had within its beautifully coated exterior. Continue reading “Vemod – The Deepening (Review)”
This is the third album from French black metallers Loth.
Loth play a modern form of atmospheric black metal that nonetheless benefits from history’s tutelage. Across 41 minutes the band capably show what they’re capable of, and 616 is a rewarding album that fans of the style would do very well to spend some time with. Continue reading “Loth – 616 (Review)”
This is the debut album from Unfelled, an international black metal band.
Pall of Endless Perdition contains 36 minutes of black metal and is brought to us by current and ex-members of Woods of Desolation, Drudkh, Windswept, Ill Omen, and Temple Nightside. Continue reading “Unfelled – Pall of Endless Perdition (Review)”
This is the debut album from US one-man black metal act Antimony.
Antimony’s black metal is a combination of the progressive, atmospheric, and melodic styles. These are mixed together to produce lengthy songs that describe a journey into existential dread. The promo blurb states that it’s reminiscent of Moonsorrow, Mgła, and Drudkh, and this should give an appropriate starting reference for the style you’ll find on Ending. Continue reading “Antimony – Ending (Review)”
This is the second album from Fuath, a one-man UK black metal band.
Here we have 42 minutes of atmospheric black metal in the vein of the 90s second wave. The promo blurb mentions bands such as Darkthrone, Mayhem, Burzum, Drudkh, and Windir, and these influences are well-represented Continue reading “Fuath – II (Review)”
Windswept are a Ukrainian black metal; band and this is their second album.
Featuring members of Drudkh, this is Windswept’s follow up to 2017’s The Great Cold Steppe. Continue reading “Windswept – The Onlooker (Review)”
Wonderbox Metal 