This is the debut album from Italian death/doom band Assumption.
Get ready to explore the cosmos once more with Assumption. Debut EP The Three Appearances laid out the initial path, but now Absconditus takes us on the full journey. Continue reading “Assumption – Absconditus (Review)”
Altar of Perversion are an Italian black metal band and this is their second album.
Sometimes I enjoy the challenge of getting to grips with something that’s absolutely immense in length and content. Intra Naos is exactly one such release. At 114 minutes in duration, it’s an ambitious release, and a potentially daunting proposition for even the hardened black metal fan. However, because the band producing this material have completely pulled it off, it can yield vast rewards for those willing and able to explore its many allures. Continue reading “Altar of Perversion – Intra Naos (Review)”
Soldat Hans are a doom band from Switzerland and this is their second album.
Es Taut contains 55 minutes of music spread out over three tracks. This is a colossal and ambitious album, one that’s delivered by a band with matching talent, skill, and ability. Continue reading “Soldat Hans – Es Taut (Review)”
Blissful Stream is a Swedish one man doom metal band and this is his latest EP.
I really like Blissful Stream. Both 2016’s Ascending Demons and 2017’s Devil’s Night to All Souls, (a split with Lightsabres), were very enjoyable and showcased the artist’s lo-fi and charismatic take on doom metal/rock. Now it’s 2018, and time for a new EP, which we have in the form of the 14 minutes of material that makes up Dead Religious. Continue reading “Blissful Stream – Dead Religious (Review)”
Tons are an Italian doom/sludge metal band and this is their second album.
Characterised by huge riffs and acidic vocals, Filthy Flowers of Doom is aptly named in many ways, delivering 38 minutes of sludgy doom. Continue reading “Tons – Filthy Flowers of Doom (Review)”
Abjection Ritual are a US industrial doom band and this is their third album.
With an enigmatic, yet enticing album cover, this release drew me in like a moth to a flame. With a few varying and slightly contradictory descriptions of what was contained on this release, I wasn’t quite sure what to expect before pressing play, but knew this was something I wanted to explore. What I found was an unexpected and engaging album. Continue reading “Abjection Ritual – Soul of Ruin, Body of Filth (Review)”
This is the second album from King Goat, a progressive doom metal band from the UK.
I’ve been extremely excited for this one. This is a band that takes everything I love about traditional doom metal and combines it with a progressive metal element that sees the songs soar above almost all of their so-called peers with ease. Continue reading “King Goat – Debt of Aeons (Review)”
Boss Keloid are a UK progressive sludge/doom metal band and this is their fourth album.
2016’s immense Herb Your Enthusiasm was a landmark release for the band. It was, quite simply, such a good Continue reading “Boss Keloid – Melted on the Inch (Review)”
Deadly Carnage are an Italian post-black metal band and this is their fourth album.
This is 45 minutes of creative metal, mixing black metal with doom, post-metal, and progressive influences. The band have produced an epic, exploratory journey across the cosmos, and do this via some expressive and emotive music. Continue reading “Deadly Carnage – Through the Void, Above the Suns (Review)”
This is the debut album from US drone/noise band Clawing.
This is a harrowing, uncomfortable trip into dark ambient, drone, noise, and doom waters. Apparently this is a concept album about night terrors, child abuse, and haunted houses. No, this is not a light and friendly listen. Continue reading “Clawing – Spectral Estate (Review)”
Wonderbox Metal 