Façade are a doom band from the Netherlands and this is their second album.
This is the follow up to 2017’s Loathe, featuring 54 minutes of new material. These songs are generally longer and even more rich in substance and delivery than those of the debut, which is no mean feat. It sounds as if a lot of work has gone into The Eternal Dance. Continue reading “Façade – The Eternal Dance (Review)”
Teeth are a death metal/grindcore band from the US, and this is their second album.
A new Teeth album! I’ve been following this band ever since their debut album Unremittance was unleashed in 2014. After that, we had their very tasty split with Fister, and then the downright delicious split with Barghest. Unlike the latter, with Continue reading “Teeth – The Curse of Entropy (Review)”
This is the third album from international doom band Mesmur.
Mesmur’s 2016 album S was a heavily atmospheric slab of funeral death/doom, one which was notable for its depth of mood and delivery. The band have now returned with four new imposing songs, clocking in at 55 minutes. Continue reading “Mesmur – Terrene (Review)”
This is the debut album from UK death metal band Strigoi.
Brought to us from the guitarist of Paradise Lost, rising out of the ashes of his Vallenfyre project, he’s joined on Srigoi by members of both bands, (one of which is also an ex-member of Extreme Noise Terror), giving us 44 minutes of engaging and individual death metal. Continue reading “Strigoi – Abandon All Faith (Review)”
Brume are a doom band from the US and this is their second album.
I loved 2017’s Rooster, so much that I placed it on my best of list of that year. We now have its successor, which features 43 minutes of new music spread out over 5 tracks. Continue reading “Brume – Rabbits (Review)”
This is the fourth album from doom rockers Avatarium, who are from Sweden.
2017’s Hurricanes and Halos was a quality album that stood out from other ostensibly similar bands playing this sort of style. On The Fire I Long For, however, there’s the impression that the band have really come into their own. Continue reading “Avatarium – The Fire I Long For (Review)”
This is the third album from Italian black metal band Earth and Pillars.
2016’s Pillars I consisted of four monolithic tracks that made a very good impression. A release full of dark delights, it was a memorable album that still holds itself very well three years later. Continue reading “Earth and Pillars – Earth II (Review)”
This is the debut album from Endless Voyage X, a black metal band from the US.
Here we have 34 minutes of music that takes a second wave black metal base and builds on it with additional melody and atmosphere. Continue reading “Endless Voyage X – Opaque (Review)”
Wells Valley are a Portuguese Post-Metal band. This is their second album.
Following up 2015’s Matter as Regent and 2017’s The Orphic, Wells Valley have produced 49 minutes of new music for us to enjoy. The band sound more cohesive and developed than ever on their new release. Continue reading “Wells Valley – Reconcile the Antinomy (Review)”
This is the seventh album from Esoteric, a funeral doom band from the UK.
After a gap of eight years, legendary doom act Esoteric have returned. The band’s strain of crushing, suffocating music has lead the way in funeral doom since their first album was unleashed in 1994. On A Pyrrhic Existence they return with a colossal double album spanning 98 minutes of huge, awe-inspiring monolithic doom songs. Continue reading “Esoteric – A Pyrrhic Existence (Review)”
Wonderbox Metal 