Doom – Page 68 – Wonderbox Metal

Blissful Stream – When the Wolves Start to Circle (Review)

This is the debut album from one-man Swedish doom metal band Blissful Stream.

It seems like an age since Blissful Stream first appeared in 2016 with Ascending Demons, which impressed with its lo-fi rocky take on doom metal. The next two years saw a release every year, (Devil’s Night to All Souls – Split with Lightsabres, and Dead Religious), and then a quiet 2019. This was apparently due to the artist building up to his fist full length, which we are now lucky enough to have in 2020. Continue reading “Blissful Stream – When the Wolves Start to Circle (Review)”

Frayle – 1692 (Review)

This is the debut album from US doom band Frayle.

I enjoyed 2018’s The White Witch, which was a hugely impressive entrance into the doom metal scene. We now have the band’s first full length album, and across 37 minutes the band prove that their first EP was no fluke. Frayle have got a real talent for their charismatic and atmospheric form of doom. Continue reading “Frayle – 1692 (Review)”

Godthrymm – Reflections (Review)

This is the debut album from UK doom metallers Godthrymm.

Featuring ex-members of bands such as Anathema, My Dying Bride, Solstice, and Vallenfyre, there’s a wealth of experience underpinning this release, and it’s used well. Continue reading “Godthrymm – Reflections (Review)”

Atavisma/Void Rot – Split (Review)

Atavisma and Void Rot are both death/doom bands, the former from France and the latter from the US.

I do so enjoy a good split, and this is exactly one such release. We start off with Atavisma, who offer 3 tracks lasting 15 minutes. Continue reading “Atavisma/Void Rot – Split (Review)”

Monthly Overview – the Best of January 2020

2020 beckons, and there’s new metal to be hungrily devoured. This January seems to have been better than the last one release-wise, with a wealth of good albums to choose from. I’ve picked seven below I’ve particularly enjoyed. Let’s see what you think of these… Continue reading “Monthly Overview – the Best of January 2020”

Ainsoph – Ω – V (Review)

This is the debut album from Dutch blackened post-punk/metal Ainsoph.

Ainsoph’s material is constructed from a sort of atypical blackened base that takes in elements of post-metal, post-rock, post-punk, avant-garde, progressive rock, doom, blackgaze, and jazz. It’s an eclectic mix on paper, but in execution Continue reading “Ainsoph – Ω – V (Review)”

Monolithe – Okta Khora (Review)

This is the eighth album from French doom metallers Monolithe.

Monolithe can do no wrong in my humble opinion. Across many releases, (here, here, here, here, here, and here, for example), the band have consistently delivered the sort of quality, engrossing doom metal that just keeps drawing you back no matter how much time you give it. Okta Khora is no different in this regard. Continue reading “Monolithe – Okta Khora (Review)”

[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)

[ B O L T ] are a drone/doom band and Morasth are a doom/post-metal band, both are from Germany.

[ B O L T ] offer a single track and start us off on this split with the 21-minute [ 0 6 ]. Continue reading “[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)”

Kirk Windstein – Dream in Motion (Review)

This is the debut album from Kirk Windstein, a metal artist from the US.

So, Kirk Windstein, he of Crowbar fame, owner of one of the most distinctive and recognisable voices in metal, and all-round legend, has a solo album? Well, this qualifies for an must-listen or ten. Continue reading “Kirk Windstein – Dream in Motion (Review)”

Grey Skies Fallen – Cold Dead Lands (Review)

This is the fifth album from Grey Skies Fallen, a progressive/melodic doom band from the US.

I enjoyed The Many Sides of Truth from 2014, so this new release is well-received. Continue reading “Grey Skies Fallen – Cold Dead Lands (Review)”