This is the second album from Greek post-metal band Unverkalt.
How to get my attention: start a promo email by stating something is for fans of Cult of Luna & Julie Christmas and Made out of Babies. The downside of this though is that the music then has a lot to live up to. So, across the 47 minutes of material on A Lump of Death: A Chaos of Dead Lovers, do Unverkalt impress, or disappoint? Continue reading “Unverkalt – A Lump of Death: A Chaos of Dead Lovers (Review)”
This is the second album from Cult Burial, a death/black/doom metal band from the UK.
Following on from 2020’s crushing Cult Burial, Reverie of the Malignant is a 41 minute journey into a world of darkness and despair. It’s not to be missed. Continue reading “Cult Burial – Reverie of the Malignant (Review)”
This is the fourth album from Body Void, a doom band from the US.
Body Void are a great band, let’s just get that out of the way first, before we do anything else. As such, this review primarily exists to let you know just how great Atrocity Void is, because what would be the point otherwise? I mean, could Body Void have finally released a stinker? Continue reading “Body Void – Atrocity Machine (Review)”
Morag Tong are a UK doom band, and this is their second album.
This 42-minute release is the follow up to 2018’s Last Knell of Om. Containing four tracks, including one that takes up almost half of the running time, Morag Tong have been busy in the years since their first album, and boy does it show. Continue reading “Morag Tong – Grieve (Review)”
Rorcal are a Swiss post-black/doom metal band and this is their sixth album.
Rorcal have shown what they’re capable of very ably on previous releases such as their 2014 split with Process of Guilt, 2016’s κρέων (Creon), 2019’s Muladona, and 2021’s collaboration with Earthflesh, so I was eager to experience the punishment Silence inevitably held in store for me, whatever form it took. On this release we get 42 minutes of new material, and it is not to be approached by the unwary. Continue reading “Rorcal – Silence (Review)”
This is the second album from Tides of Sulfur, a blackened sludge metal band from the UK.
Apathy Chasm is the eagerly awaited, (by me at any rate), 39-minute follow up to 2016’s mighty Extinction Curse. Prepare yourself for punishment. The foul music on Apathy Chasm is a merciless blackened amalgamation of fetid death metal and unearthly sludge. Continue reading “Tides of Sulfur – Apathy Chasm (Review)”
Primordial are an Irish metal band and this is their tenth album.
Primordial are a reliably enjoyable band that found a voice of their own early on in their career. They have some top quality albums, the most recent of which was 2018’s Exile Amongst the Ruins. Playing a blackened form of heavy metal and doom, new album How It Ends delivers 66 minutes of Primordial’s inimitable material. Continue reading “Primordial – How It Ends (Review)”
This is the second album from UK hardcore band Geist.
Following on from 2019’s Swarming Season, Blueprints to Moderate Sedation provides us with 31 minutes of dark aggression. Combining punk, crust, and metal into an abrasive hardcore intensity, Geist have produced an enjoyable album of dark heaviness. Continue reading “Geist – Blueprints to Moderate Sedation (Review)”
Deadly Carnage are a post-black metal band from Italy and this is their fifth album.
Following on from 2018’s Through the Void, Above the Suns, Deadly Carnage have now returned with 39 minutes of new material, and they have returned on fine form. Continue reading “Deadly Carnage – Endless Blue (Review)”
Tideless are a death/doom metal band from the US and this is their second album.
Eye of Water is a monster of an album, in more ways than one. Running to an imposing 75 minutes, Tideless spew forth five tracks of inhuman death/doom of an unexpected and idiosyncratic synth-enhanced nature. Continue reading “Tideless – Eye of Water (Review)”
Wonderbox Metal 