This is the third album from US blackened extreme metallers Immortal Bird.
It’s been a long time since 2019’s Thrive on Neglect and an even longer time since 2015’s Empress/Abscess, (a standout release of that year), so it’s a real treat to have Immortal Bird back with us. Continue reading “Immortal Bird – Sin Querencia (Review)”
Feral are a death metal band from Sweden and this is their fourth album.
Following on from last year’s tasty split with Crawl, (Made as Those Who Are No Longer Alive), we now get 46 minutes of new material from Feral in the shape of To Usurp the Thrones. Continue reading “Feral – To Usurp the Thrones (Review)”
This is the third album from Swedish death metal band Carnosus.
2023’s very enjoyable Visions of Infinihility made a splash in the death metal pond, and now Wormtales is here to capitalise. Let’s see what Carnosus have for us this time around. Continue reading “Carnosus – Wormtales (Review)”
This is the second album from Austrian death/doom metal band Endonomos.
Endonomos II – Enlightenment contains 49 minutes of death/doom, although this tag is a bit misleading. Endonomos’ music is far richer and more emotive than many playing that style, and benefits from a base of traditional doom that’s unexpected. This makes Endonomos II – Enlightenment a much rarer gem than you’d normally find within the death/doom arena. Continue reading “Endonomos – Endonomos II – Enlightenment (Review)”
This is the third album from US death metallers Blood Incantation.
2016’s Starspawn and 2019’s Hidden History of the Human Race were both great records, and now we finally have the much-anticipated Absolute Elsewhere. It’s Blood Incantation’s longest album at 44 minutes, and uses this time wisely to showcase its mastery of cosmic progressive death metal. Continue reading “Blood Incantation – Absolute Elsewhere (Review)”
This is the second album from US death metal band Maul.
I confess I had unreasonably high expectations for this one going in. I really enjoyed 2022’s Seraphic Punishment, in that deeply satisfying way that only quality death metal can give you. Now that the 39 minutes of In the Jaws of Bereavement has arrived with the force of a gigantic hammer, have my expectations been met? Continue reading “Maul – In the Jaws of Bereavement (Review)”
This is the fourth album from US death metallers Ripped to Shreds.
I thoroughly enjoyed 2022’s 劇變 (Jubian), so have been excited to listen to Sanshi. Containing 41 minutes of new material, Ripped to Shreds are on fire on their new record. Continue reading “Ripped to Shreds – Sanshi (Review)”
Undeath are a death metal band from the US and this is their third album.
Undeath have built a strong reputation very quickly. 2020’s Lesions of a Different Kind put them on the map, and then It’s Time…to Rise from the Grave saw them conquer and dominate a large portion of it. With that in mind, what do the 34 minutes of More Insane bring us? Continue reading “Undeath – More Insane (Review)”
This is the second album from Finnish death metal band Devenial Verdict.
Following on from 2022’s very enjoyable Ash Blind comes Blessing of Despair, which contains 51 minutes of new music. Prepare yourself for an onslaught of crushing atmospheric dissonant death metal. Continue reading “Devenial Verdict – Blessing of Despair (Review)”
This is the fifth album from German death metal band Temple of Dread.
It has been little over a year since Beyond Acheron, so I was not expecting a new Temple of Dread album again so soon at all. God of the Godless comes to us in the form of 42 minutes of new material, and it once again demonstrates why the band are so good at what they do. Continue reading “Temple of Dread – God of the Godless (Review)”
Wonderbox Metal 