This is the second album from Deprive, a one-man death metal band from Spain.
This is thickly emotive death metal, forged in the fires of the 90s metal scene. This was a time when death metal was allowed to be slower and incorporate elements of doom/death to increase the atmosphere, and this is something that Continue reading “Deprive – Temple of the Lost Wisdom (Review)”
Vrtra are a black metal/post-black metal/blackened doom band from the US. This is their debut album.
Holy shit this is good! Is that an appropriate way to start a review? I dunno. Probably not, but who cares, because holy shit this is good!
This is a sickly-blackened release that contains elements of doom, death, black and post-metal within its 31 minute length. Vrtra do not respect musical boundaries, and why should they? I’ll tentatively refer to them as Continue reading “Vrtra – My Bones Hold a Stillness (Review)”
This is the second album from Vulvodynia, a death metal band from South Africa.
Vulvodynia specialise in a form of brutal death metal that features a large helping of slam, beatdowns and deathcore/whatever – basically it’s brutal, bouncy and smashes the Hell out of everything around it.
This is heavy and groovy, designed to fuel violence in mosh pits Continue reading “Vulvodynia – Psychosadistic Design (Review)”
Coma Cluster Void are a death metal band, (of sorts), and this is their debut album. They have an international lineup, with members from Canada, Germany and the US.
This album features not one, but two ex-Cryptopsy singers. You heard that right. To be fair, one of them, (Lord Worm), is only a guest vocalist on a couple of tracks, but still. The other, (Mike DiSalvo), is only one half of the vocal attack, the other half being provided by Continue reading “Coma Cluster Void – Mind Cemeteries (Review)”
Harm are a German death metal band and this is their second album.
It’s been a few years since Harm’s 2013 debut album Cadaver Christi first landed like a high-explosive shell, and since then we’ve been hungry for more. Well, wait no longer, as Harm are back.
What I like about Harm is how Continue reading “Harm – The Evil (Review)”
This is the fifth album from Bestial Deform, a Russian death metal band.
Bestial Deform were created in 1990, so it’s safe to say they have a lot of experience playing death metal. This is their first album since 2005 and features both new songs and older ones that have been re-recorded.
The band play a Continue reading “Bestial Deform – …Ad Leones (Review)”
Vahrzaw are an Australian black metal band and this is their second album.
This is a blisteringly aggressive strain of virulent black metal, with some elements of death metal added in for extra ferocity.
Twin Suns & Wolves’ Tongues is raw and brutal, full of blackened darkness and raging hatred. More than a simple one-trick pony though, Vahrzaw are talented enough to create more than just pure aggression with Continue reading “Vahrzaw – Twin Suns & Wolves’ Tongues (Review)”
This is Polish death metal band Banisher’s third album.
I like Banisher, as although they have a core of brutality, they infuse their music with a good deal of technicality and are not afraid to experiment with their sound either, introducing interesting ideas and some progressive elements.
Their last album, Scarcity, was really, really good, and on Oniric Delusions the band take what they did with Continue reading “Banisher – Oniric Delusions (Review)”
This is a split release between three modern death metal/deathcore bands, featuring one original song and one cover song from each artist. Thy Art Is Murder are from Australia, and The Acacia Strain and Fit for an Autopsy are from the US.
Thy Art Is Murder contribute the song They Will Know Another and a cover of Rammstein’s Du Hast, for a total of 9 minutes of music.
They Will Know Another showcases the familiar roars of the band’s vocalist alongside mid-paced Continue reading “Thy Art Is Murder/The Acacia Strain/Fit for an Autopsy – The Depression Sessions – Split (Review)”
Have you heard of Cerberus Unchained? I’m guessing you probably haven’t. They’re a melodic death metal band from the UK. They might only have released one song so far, but it’s a corker, and more than enough reason for you to start keeping an eye on them.
The passion the band have for the music they play is evident not just in their words below, but also in their debut song, Warm Blooded Beast, which you can listen to at the bottom of this interview. Do make sure you take the time to give it a spin, as it’s melodic death metal of the highest quality – with none of the dross or overly commercialised stuff we’ve, (Sadly), come to expect from the melodic death metal sub-genre tag these days. No, Cerberus Unchained have shown that they’re potentially on to something special with this song, so it’s with much eagerness that I now await their future output.
As I frequently say – good music should always be supported – so with that in mind I caught up with the band to find out more about them, why you should be paying them attention, and why they could very much be ones to watch…
Cerberus Unchained, readers, readers, Cerberus Unchained.
We’ve got a pretty wide range of influences to be honest, but we all like it loud. Anything goes really from, Heck (sorry about the swearing), to Corrosion of Conformity, Children of Bodom to Dream Theater and then back to Iron Maiden for good measure. Sam recently professed enthusiasm for Babymetal as well so we’re keeping an eye on him just in case he does something silly.
I think the best band I’ve discovered recently has to be Allegaeon, their work is just mindblowing; technical, smart lyrics and badass delivery. Beyond that I’d have to recommend the new Countless Skies album, the new Children of Bodom album, and absolutely anything by Ghost B.C. and Clutch. Oh, and the Dorylus ‘Rapture’ EP! – Simon Continue reading “Interview with Cerberus Unchained – An introduction”
Wonderbox Metal 