Interview with Abhorrent Deformity

Abhorrent Deformity Logo

If you’re looking for something to listen to get insanely worked up to while in the gym, or just generally to get the blood pumping and heart racing, then I heartily recommend Slaughter Monolith by Abhorrent Deformity.

So sit back, feel the crushing riffs squash the life out of you, and find out a little more about the band below… Continue reading “Interview with Abhorrent Deformity”

Lelahell – Alif (Review)

LelahellThis is the second album from Algerian death metallers Lelahell.

Lelahell’s 2014 debut album Al Insane…The (Re)birth of Abderrahmane was a brutal collection of tracks with some exotic flourishes included to spice things up; not only an enjoyable album, but a striking and memorable one too. Continue reading “Lelahell – Alif (Review)”

Abhorrent Deformity – Slaughter Monolith (Review)

Abhorrent DeformityAbhorrent Deformity are a death metal band from the US and this is their second album.

Abhorrent Deformity deal in brutal death metal. The follow up to 2015’s Entity of Malevolence, Slaughter Monolith continues its bloody, violent rampage through the death metal suburbs, taking no prisoners and sparing no civilians. Continue reading “Abhorrent Deformity – Slaughter Monolith (Review)”

Crawl – Rituals (Review)

CrawlThis is the debut album from Swedish death metallers Crawl.

Four things made me quite excited to hear this album, even before I really knew too much about it. The first is that it’s coming out on the always reliable Transcending Obscurity Records, (who have been especially Continue reading “Crawl – Rituals (Review)”

Deus Vermin – Monument to Decay (Review)

Deus VerminDeus Vermin are a blackened death metal band and this is their debut EP.

Featuring a member of atmospheric black metallers Hryre, Monument to Decay is a far more brutal and ugly proposition than that very enjoyable project. Different it may be, but equally compelling in its own rotten, foul way. Continue reading “Deus Vermin – Monument to Decay (Review)”

Engulf – Gold and Rust (Review)

EngulfThis is the second EP from Engulf, a death metal solo act from the US.

This 11-minute EP wastes no time in establishing the dominance of its brutal death metal assault. This is music that takes no prisoners in its quest to lay waste to everything and everyone around it. Continue reading “Engulf – Gold and Rust (Review)”

Skullcrush – Visions of the Firestorm Eclipse (Review)

SkullcrushThis is an EP from Skullcrush, a death metal band from the US.

Containing a mixture of different gruesome ingredients, you can hear Suffocation, Bolt Thrower, and even a touch of old Amorphis in Skullcrush’s sound. Across the 22 minutes on this EP the band combine these influences and more into a ghastly blend of grim, dirty death metal. Continue reading “Skullcrush – Visions of the Firestorm Eclipse (Review)”

Draghkar – The Endless Howling Abyss (Review)

DraghkarDraghkar are a US death metal band and this is their latest EP.

I’ve very much enjoyed watching Draghkar’s development, from their debut demo World Unraveled to their split with Desekryptor from earlier in the year. The Endless Howling Abyss is their first EP, and our first larger taste of what their capabilities truly are. Continue reading “Draghkar – The Endless Howling Abyss (Review)”

Khanus – Flammarion (Review)

KhanusKhanus are a Finnish blackened death metal band and this is their debut album.

Featuring a member of Code, Khanus play unorthodox black/death metal with a depth of appeal that comes from ritualistic, shamanistic, and occult influences, as well as the aspects of non-death metal styles that the music incorporates into itself. Continue reading “Khanus – Flammarion (Review)”

Carchosa – Carchosa (Review)

CarchosaCarchosa is a one man Swedish thrash/death metal band. This is his debut album.

Featuring seven long songs and clocking in at just under an hour in duration, this album contains a blend of thrash and death metal, alongside a good helping of melodic and progressive elements. Continue reading “Carchosa – Carchosa (Review)”