Vircolac are an Irish death metal band and this is their debut album.
2016’s EP The Cursed Travails of the Demeter was an enjoyable introduction to Vircolac. The band were notable for crafting old-school death metal that focused on atmosphere and feeling, some often neglected aspects of the style. Continue reading “Vircolac – Masque (Review)”
Misery Index are a death metal band from the US and this is their sixth album.
Playing furiously brutal death metal with aspects of grindcore added for savage flavour, Rituals of Power contains 36 minutes of raging aggression. Continue reading “Misery Index – Rituals of Power (Review)”
This is the fourth album from US progressive death metallers Fallujah.
I’ve been waiting for this one. Both 2014’s The Flesh Prevails and 2016’s Dreamless were superb albums, so the bar is set high for Undying Light. A change in singer and loss of a guitarist can potentially be a challenge for a band, but when I saw them live recently it sounded as if Fallujah’s new vocalist had easily made his mark. So now we have the new album in full, how does it all manifest? Continue reading “Fallujah – Undying Light (Review)”
Gorgon are a symphonic death metal band from France and this is their second album.
Symphonic death metal shouldn’t work, and mostly doesn’t. Elegy is different, however.
Imagine Orphaned Land if they were powered by death metal; this is my simplistic, overall Continue reading “Gorgon – Elegy (Review)”
February saw the release of some very good metal. Let’s have a look at some of the top picks below… Continue reading “Monthly Overview – the Best of February 2019”
This is the second album from Pig’s Blood, a death metal band from the US.
Here we have 32 minutes of raw, underground death metal, dripping with filth and agony and reeking of unholy energies. This is brutal, gnarled, and thoroughly evil. Continue reading “Pig’s Blood – A Flock Slaughtered (Review)”
Cripple Bastards are an Italian grindcore band and this is their seventh album.
2014’s Nero in Metastasi was not only a top quality grindcore release, but one that I’ve frequently returned to over the years. Continue reading “Cripple Bastards – La Fine Cresce da Dentro (Review)”
Continuum are a technical death metal band from the US, and this is their second album.
Featuring current and ex-members of bands such as Decrepit Birth, Scour, Deeds of Flesh, Arkaik, Allegaeon, Inanimate Existence, Pathology, and Rings of Saturn, before even listening to Designed Obsolescence you know that there’s a wealth of extreme metal experience that’s gone into its forging. Continue reading “Continuum – Designed Obsolescence (Review)”
Aenimus are a modern death metal band and this is their second album. They are from the US.
Aenimus fuse a range of different styles into their modern death metal. It’s progressive and technical, and takes parts of the djent and deathcore styles into itself quite easily. The music twists and turns with a futuristic Continue reading “Aenimus – Dreamcatcher (Review)”
Hiss from the Moat are an Italian blackened death metal band and this is their second album.
It’s been quite a while since 2013’s Misanthropy was released, but it made a very good impression on me, so its follow up, The Harrier, is a record I was pleased to see make its way into my hands. Continue reading “Hiss from the Moat – The Harrier (Review)”
Wonderbox Metal 