This is the second album from Australian death metallers Ashen.
Following on from 2023’s Ritual of Ash comes the 39-minute Leave the Flesh Behind. The Ashen death metal juggernaut continues to roll, crushing all in its path. This time though, there are more layers to Ashen’s assault. Continue reading “Ashen – Leave the Flesh Behind (Review)”
Lik are a Swedish death metal band and this is their fourth album.
Following on from 2018’s Carnage and 2020’s Misanthropic Breed comes another slab of Swedish death metal carnage from the ever-dependable Lik. Necro is a solid 41-minute slab of heaviness. Continue reading “Lik – Necro (Review)”
Rotpit are an international, (German/Sweden), death metal band and this is their second album.
Alright then squidgy humans, it’s time to enter the Rotpit! Your tormentors on this filthy disgusting tour of depravity are none other than members of Heads for the Dead, Ursinne, Wombbath, and many, many others. Yes, these miscreants know how to play DEATH METAL, so your soft fragile forms are in good, calloused, bloodied hands. Continue reading “Rotpit – Long Live the Rot (Review)”
This is the second album from US death metallers Coffin Rot.
2018’s Coffin Rot demo promised much, and then 2019’s A Monument to the Dead delivered. Well, it’s been five long years since then – has Dreams of the Disturbed been worth the wait? Continue reading “Coffin Rot – Dreams of the Disturbed (Review)”
This is the fourth album from German death metal band Endseeker.
Endseeker are a band that are very easy for me to like. Despite cooling on the Swedish death metal style over the years, I fail to be indifferent to Endseeker’s crushing assault. Both 2019’s The Harvest and 2021’s Mount Carcass were thoroughly enjoyable examples of the style, so will Global Worming follow in their thunderous footsteps? Continue reading “Endseeker – Global Worming (Review)”
Coffin Mulch are a Scottish death metal band and this is their debut album.
Spectral Intercession features 31 minutes of old-school death metal, delivered primarily in the Swedish style, (although not exclusively). Yep, grab your chainsaw, and get ready for carnage. If you’re a fan of bands such as Entombed, Dismember, Bloodbath, and Entrails, but also want something with buckets of Autopsy and Asphyx thrown in, as well as a smudge of hardcore and a whiff of doom, then Coffin Mulch have got you covered.
Continue reading “Coffin Mulch – Spectral Intercession (Review)”
This is the seventh album from Entrails, a Swedish death metal band.
A new Entrails album is always worth a listen. I enjoyed 2015’s Obliteration, 2017’s World Inferno, and 2019’s Rise of the Reaper, and An Eternal Time of Decay – with its 46 minutes of material – is no different. Continue reading “Entrails – An Eternal Time of Decay (Review)”
This is the third album from German death metal band Endseeker.
2019’s The Harvest was a solid and enjoyable slice of Swedish-influenced death metal, so when the 36-minute lump of sinew and teeth that is Mount Carcass appeared on the horizon, I knew I wanted to embrace it eagerly. Continue reading “Endseeker – Mount Carcass (Review)”
This is the debut album from Cult Burial, a death/black/doom metal band from the UK.
After being a big fan of the band’s early work, expectations were high for Cult Burial. I have to say that they have been met, and this is a superlative album. Cult Burial play a hybrid form of blackened extreme metal, one which takes what it likes from black, death, and doom metal and then slaughters what’s left. Continue reading “Cult Burial – Cult Burial (Review)”
This is the second album from Belgian death metallers Carnation.
Having really enjoyed 2018’s Chapel of Abhorrence, it’s with high expectations that I turned to Where Death Lies. It turns out they the band have exceeded these expectations with ease. Continue reading “Carnation – Where Death Lies (Review)”
Wonderbox Metal 