Black metal – Page 35 – Wonderbox Metal

Ancst – Culture of Brutality (Review)

This is the fourth album from Ancst, a shapeshifting German metal band.

You’re never quite sure what you’re going to get from Ancst. Black metal, crust, hardcore, death metal, dark ambient – these are just genres to play with for the band, using and discarding styles and influences at will, depending on the needs of any given release or song. Which brings us to Culture of Brutality, a 35-minute, 20-track album that fuses deathgrind, metalcore, and hardcore into a monster of brutal heaviness. Continue reading “Ancst – Culture of Brutality (Review)”

Cryfemal – La Gran Victoria del Mal (Review)

Cryfemal are a Spanish black metal band and this is their ninth album.

We’re going back to 2023 for this one. Why? Well, simply because while I’ve been aware of Cryfemal for some time, I’ve never heard them, so when I recently received the promo for this, I really wanted to check it out. So I did, and it made a big impression. Continue reading “Cryfemal – La Gran Victoria del Mal (Review)”

Infestus – Entzweiung (Review)

This is the sixth album from German solo black metal band Infestus.

Has it really been ten years since 2014’s The Reflecting Void? I really liked that record. With only one album since then – 2018’s Thrypsis, which I somehow missed – I’ve been looking forward to exploring the 46-minute Entzweiung. Continue reading “Infestus – Entzweiung (Review)”

Lust Hag – Lust Hag (Review)

This is the debut album from US one-woman black metal band Lust Hag.

It’s here! It’s finally happening! A full Lust Hag album! Rejoice! This artist was one of my favourite new finds of 2023, so I have been massively looking forward to the day a full album would appear. And now it has – 37 minutes of elite black metal to get to grips with. Let’s be clear from the start – Lust Hag is so damn good it hurts. Continue reading “Lust Hag – Lust Hag (Review)”

Morgul Blade – Heavy Metal Wraiths (Review)

This is the second album from US blackened heavy metal band Morgul Blade.

Now there’s an album cover for you. When combined with the title, it that speaks loudly of what you’ll encounter on Heavy Metal Wraiths. Across 36 minutes Morgul Blade deliver a rip-roaring trip through ten boisterous tracks that are designed to get those heads banging and fists pumping. Continue reading “Morgul Blade – Heavy Metal Wraiths (Review)”

Glassing – From the Other Side of the Mirror (Review)

This is the fourth album from US blackened post-hardcore band Glassing.

2019’s Spotted Horse caused people to pay attention to what Glassing had to offer, but it was 2021’s Twin Dream that really impressed. From the Other Side of the Mirror offers 42 minutes of new material, and its as good as you would hope for. Continue reading “Glassing – From the Other Side of the Mirror (Review)”

Amiensus – Reclamation: Part 1 (Review)

This is the fourth album from US black metallers Amiensus.

Amiensus are a band I’ve really enjoyed watching the development of over the years. 2012’s Restoration was an early highlight, but every release has offered something tasty from the band. Whether this is the stripped back classic approach of 2017’s All Paths Lead to Death, or the standout Abreaction, which rightfully made it onto my 2020 year end list, Amiensus always seem to have something meaningful to say. Continue reading “Amiensus – Reclamation: Part 1 (Review)”

Marduk/Origin/Doodswens – Club Academy, Manchester – 16/04/24 (Live Review)

I’ve been listening to both Marduk and Origin for a long, long, long time, but have never seen either of them. Imagine my surprise and excitement then when I saw this show appear on my radar. Scrumptious stuff indeed. Continue reading “Marduk/Origin/Doodswens – Club Academy, Manchester – 16/04/24 (Live Review)”

Selbst – Despondency Chord Progressions (Review)

This is the third album from solo black metal act Selbst, originally from Venezuela, and now Chile.

Following on from 2020’s Relatos de Angustia, Despondency Chord Progressions contains 44 minutes of new material. The artist behind Selbst, (also in Animus Mortis), is aided on this release by the drummer of Aversio Humanitatis/Eternal Storm, and has created something quite special. Continue reading “Selbst – Despondency Chord Progressions (Review)”

Blaze of Perdition – Upharsin (Review)

This is the sixth album from Polish black metallers Blaze of Perdition.

I enjoyed 2015’s Near Death Revelations, 2017’s Conscious Darkness, and 2020’s The Harrowing of Hearts, so was pleased when Upharsin appeared. Across its 41-minute duration Blaze of Perdition create a withering storm of hostile black metal and ceremonial atmosphere. Continue reading “Blaze of Perdition – Upharsin (Review)”