It’s a sold out show tonight, and Rebellion is busy. The Callous Daoboys are roasting hot right now, as they should be. It promises to be an intense, exciting evening for fans of atypical heavy/alternative music. Continue reading “The Callous Daoboys/Knives/Love Rarely – Rebellion, Manchester – 25/02/26 (Live Review)”
Aufhebung are a Belgian post-metal band and this is their second album.
Playing post-metal that brings together elements of doom, sludge, and post-rock, Aufhebung have crafted 48 minutes of material on Luchtbegrafenis. As a first encounter with Aufhebung, it’s Continue reading “Aufhebung – Luchtbegrafenis (Review)”
This is the third album from Greek post-metal band Unverkalt.
2023’s A Lump of Death: A Chaos of Dead Lovers was as a surprise hit in this household, so seeing Héréditaire appear on the mighty Season of Mist label was most welcome. This is not the same Unverkalt we encountered previously though, not completely; this is something darker. Continue reading “Unverkalt – Héréditaire (Review)”
Matador are a post-metal band from the UK and this is their third album.
Matador play a compelling mix of post-metal, doom, sludge, and post-rock. That’s a lot of tags, but the music brings them together quite seamlessly. Above, Below, and So contains 42 minutes of material, and it’s a record that Continue reading “Matador – Above, Below, and So (Review)”
Cryptic Shift are a death/thrash metal band from the UK and this is their second album.
Do you remember when Cryptic Shift opened their 2020 debut album Visitations from Enceladus with a 26-minute song? Well, now they’re back with a new album called Overspace & Supertime, and, with a duration of 82 minutes, it Continue reading “Cryptic Shift – Overspace & Supertime (Review)”
Olhava are a Russian atmospheric/post-black metal band and this is their seventh album.
Olhava have built up an eviable body of work, including 2021’s Frozen Bloom, 2022’s Reborn and 2024’s Sacrifice. This brings us nicely to the 78-minute Memorial, a record that takes us on another gargantuan excursion into post-blackened waters. Continue reading “Olhava – Memorial (Review)”
This is the second album by Belgian post-hardcore band Ronker.
Respect the Hustle, I Won’t Be Your Dog Forever contains 40 minutes of atypical, multifaceted post-hardcore. Ronker’s music is not always easy to categorise, but it is easy to like. Very easy, in fact. Yep, Ronker have unleashed Continue reading “Ronker – Respect the Hustle, I Won’t Be Your Dog Forever (Review)”
This is the second album from UK post-black metal band Unmother.
State Dependent Memory contains 38 minutes of modern/post-black metal, which includes a cover of a band called ΟΔΟΣ 55, here transmuted into something Continue reading “Unmother – State Dependent Memory (Review)”
Exhumed are a death metal band from the US and this is their ninth album.
Exhumed have been slaughtering their way across the death metal scene for long enough that any new material is feverishly greeted by bloodstained grins by a those in the know. Yep, Exhumed rule, and this time they’ve taken their gore-obsessed death metal mobile – Red Asphalt is a 37-minute hymn to Continue reading “Exhumed – Red Asphalt (Review)”
This is the fourth album from Norwegian solo black metal act Misotheist.
Brought to us by the artist behind Diabolus, Mecum Semperterne!, Enevelde, and Kråbøl, De Pinte contains 41 minutes of violent otherworldly black metal. Misotheist carve a space into black metal’s crowded landscape that belongs purely to De Pinte. This is an album that Continue reading “Misotheist – De Pinte (Review)”
Wonderbox Metal 