This is the fifth album from US death metallers Carrion Vael.
I enjoyed 2022’s Abhorrent Obsessions much more than I expected to, so I was pleased to see Slay Utterly appear, (it turns out I’d completely missed 2024’s Cannibals Anonymous too, which is annoying). This new record offers up 42 minutes of premium Carrion Vael, and it’s pretty damn good. Continue reading “Carrion Vael – Slay Utterly (Review)”
This is the sixteenth album from legendary German thrash metal band Kreator.
Krushers of the World is the follow up to 2022’s Hate Über Alles, and I’m here to receive it with open arms. I’m a huge Kreator fan, so you’ll find no apologies for the glowing review below, as Krushers of the World is cracking record. Continue reading “Kreator – Krushers of the World (Review)”
Ov Sulfur are a blackened deathcore band from the US and this is their second album.
Following on from 2023’s The Burden ov Faith comes the 46-minute Endless. On this new record Ov Sulfur continue their upwards trajectory. Continue reading “Ov Sulfur – Endless (Review)”
This is the second album from Polish solo post-black metal band Miasme.
Keep Them at a Distance contains 43 minutes of engaging music. The artist behind Miasme convinces easily with a striking display of hybrid blackened post-metal that feels very contemporary, yet also timeless in its flavour. Continue reading “Miasme – Keep Them at a Distance (Review)”
This is the seventh album from one-man German black/doom metal metal band The Ruins of Beverast.
For some reason it feels like an age since The Thule Grimoires came out, but it was only actually 2021. As such, the arrival of Tempelschlaf feels like an occasion of note. The artist behind The Ruins of Beverast has amassed a great deal of experience and renown across his career – can Tempelschlaf keep the momentum going? Continue reading “The Ruins of Beverast – Tempelschlaf (Review)”
This is the sixth album from Ellende, a solo black metal band from Austria.
Following on from 2024’s Todbringerin, Zerfall contains 52 minutes of new material. The artist behind Ellende specialises in post-black metal that uses blackgaze elements to produce emotive, mood-focused music. Continue reading “Ellende – Zerfall (Review)”
This is the third album from Fuath, a one-man UK black metal band.
I enjoyed 2020’s II, so the appearance of III is a most welcome sight. Brought to us by the artist behind Saor, this is old-school black metal with an atmospheric focus. III contains four songs and clocks in at 43 minutes in total duration. Continue reading “Fuath – III (Review)”
Irk are a noise rock band from the UK and this is their second album.
I got to The Seeing House far later than I wanted to or should have. Despite earmarking it for review, it somehow slipped through my Carefully Crafted and Highly Professional reviewing process, only surfacing once more to shout in my face about a month and a half or so after I should have written about it. D’oh! Ah well, better late than ever, eh? Continue reading “Irk – The Seeing House (Review)”
Nemorous are a UK black metal band and this is their debut album.
What Remains When Hope Has Failed has been a long time coming for yours truly. Arising from the ashes of the mighty Wodensthrone, Nemorous gave us their self-titled debut EP in 2021, and it was gloriously good. I then had the privilege of seeing them play this release live a couple of years ago when they played with Continue reading “Nemorous – What Remains When Hope Has Failed (Review)”
Dimholt are a Bulgarian black metal band and this is their third album.
I enjoyed 2014’s Liberation Funeral and 2019’s Epistēmē – I had thought I reviewed the latter too, but apparently not. Which brings us to Metaform; 52 minutes of quality and enjoyable black metal. Continue reading “Dimholt – Metaform (Review)”
Wonderbox Metal 