This is the debut album from Khôrada, a progressive/doom/post-metal band from the US.
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading “Khôrada – Salt (Review)”
This is the debut album from US death metallers Mouth of Sauron.
Hearken the Echo of Music contains 39 minutes of music, and exists at the nexus of where brutal, technical, and progressive death metal collide. Continue reading “Mouth of Sauron – Hearken the Echo of Music (Review)”
Birds in Row are a French post-hardcore band and this is their second album.
Birds in Row play a form of post-hardcore that blends abrasive hardcore and punk influences, with angular noise/post-rock and experimental elements to form music that’s highly textured and filled with strong emotions. Continue reading “Birds in Row – We Already Lost the World (Review)”
This is the sixth album from Skeletonwitch, a blackened metal band from the US.
Well, this is not what I was expecting to hear from Skeletonwitch. I confess that I’ve only ever really heard a small amount of the band’s prior material, and what I did hear was kind of a thrash/melodic metal affair, from what I recall. I approached this Continue reading “Skeletonwitch – Devouring Radiant Light (Review)”
Morrow are a US black metal band and this is their debut album.
Not to be confused with the Morrow from the UK that have appeared on this site previously, this US band play atmospheric black metal with ambient and post-rock influences. Continue reading “Morrow – The Weight of These Feathers (Review)”
Obscura are a progressive/technical death metal band from Germany and this is their fifth album.
As I’ve said frequently in the past, I like an album that feels like a journey, and this is definitely one such album. With a depth of songwriting and skill that many bands aspire to and few achieve, Diluvium is a masterclass in what a progressive/technical death metal band can achieve. Continue reading “Obscura – Diluvium (Review)”
Depths of Hatred are a Canadian death metal band and this is their latest EP.
Here we have 22 minutes of Depths of Hatred’s brand of punishing intensity. Mixing together multiple strains of death metal with some decent character and a professional recording, the band’s modern attack is easy to recommend. Continue reading “Depths of Hatred – Bloodguilt (Review)”
This is the tenth album from US death metal veterans Jungle Rot.
Although Jungle Rot aren’t a band I’m intimately familiar with, I do know, (and enjoy), some of their previous work, so it’s with great interest that I listen to this self-titled album as it’s a bit different from what I’ve heard from the band before. Continue reading “Jungle Rot – Jungle Rot (Review)”
This is the latest EP from Converge, a legendary hardcore band.
Apparently recorded during the sessions for The Dusk in Us, this EP lasts a mere 7 minutes and spends its time ferociously ripping off faces left, right, and basically every-damn-where. Continue reading “Converge – Beautiful Ruin (Review)”
Ripis are a doom metal band from the US and this is their second album.
Well, well, what a powerful and well-written album we have here. Filled with bleak moods and despondent atmosphere, this is dark, affecting stuff. Ripis know how to write a damn good doom metal tune. Continue reading “Ripis – Shadow Dies in Morning Light (Review)”
Wonderbox Metal 