Cobra the Impaler are a Belgian metal band and this is their second album.
I enjoyed 2022’s Colossal Gods, so it’s great to have some new music from Cobra the Impaler. Across 52 minutes Karma Collision demonstrates that Colossal Gods was merely an appetiser, as now we have the main course. Continue reading “Cobra the Impaler – Karma Collision (Review)”
This is the debut album from UK sludge/post-metal band Urzah.
The Scorching Gaze contains 42 minutes of material delivered in a charismatic hybrid metallic style. Urzah combine elements of sludge, post-metal, progressive metal, doom, and hardcore/metalcore into an exemplar of heaviness that feels timeless. Continue reading “Urzah – The Scorching Gaze (Review)”
Inter Arma are a post-metal band from the US and this is their fifth album.
Inter Arma are not your average band. They contort and shapeshift from one track to the next – from one part of a song to the next – delivering a multifaceted metallic journey through all kinds of different styles and genres, including doom, death metal, black metal, sludge, and more, all wrapped up in a progressive/post-metal bow that’s just wonderfully realised. Continue reading “Inter Arma – New Heaven (Review)”
This is the second album from US metal band The Watchers.
Nyctophilia contains 41 minutes of song-based metallic fun. Taking elements from the classic metal, thrash, stoner, grunge, and doom styles, The Watchers ably demonstrate what they are capable of. Continue reading “The Watchers – Nyctophilia (Review)”
This is the second album from US blackened heavy metal band Morgul Blade.
Now there’s an album cover for you. When combined with the title, it that speaks loudly of what you’ll encounter on Heavy Metal Wraiths. Across 36 minutes Morgul Blade deliver a rip-roaring trip through ten boisterous tracks that are designed to get those heads banging and fists pumping. Continue reading “Morgul Blade – Heavy Metal Wraiths (Review)”
Black Tusk are a sludge/metal /hardcore band from the US and this is their sixth album.
Following on from 2018’s TCBT comes The Way Forward, which gives us 36 minutes of material. With a new lineup comes an expanded sound, with now a second guitarist and an extra vocalist, (which brings the total to an impressive four individuals all contributing vocals). Continue reading “Black Tusk – The Way Forward (Review)”
This is the fifth album from Norwegian progressive metal band In Vain.
I really, really liked 2018’s Currents, so to my mind it has been far too long since we’ve heard from In Vain. Featuring 61 minutes of new music, Solemn is a grand affair, mixing together the band’s progressive/melodic death metal ingredients into a feast of tasty extreme metal. Continue reading “In Vain – Solemn (Review)”
This is the third album from French sludge metal band Love Sex Machine.
When the promo blurb states that this is for fans of Meshuggah, Intronaut, Amenra, LLNN, Sumac, and Herod, you know it’s gonna be a heavy one. And it is. Trve is 36 minutes of heaviness wrapped in an expressive outer coating. Continue reading “Love Sex Machine – Trve (Review)”
This is the seventh album from German Gothic metal band The Vision Bleak.
Weird Tales consists of a single 41-minute song, which is made up of twelve separate movements. It looks like on Bandcamp this will be divided into actual tracks, but thankfully the review version consists of just one track, as this is definitely a release to experience in its entirety, without interruption. Continue reading “The Vision Bleak – Weird Tales (Review)”
This is the third album from Venues, a modern metal band from Germany.
2018’s Aspire was good, but 2021’s Solace was where Venues really came into their own. The more I listened to it, the better it got, and it’s still a record that’s great when you want anthemic and catchy modern metal.
Now we have Transience, so let’s dive in. Continue reading “Venues – Transience (Review)”
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