This is the second album from Japanese death metallers Invictus.
Delivering 35 minutes of old-school death metal devastation, Nocturnal Visions arrives with the impact of a meteor. Invictus are not messing around. Apart from the seemingly mandatory pointless intro, there’s Continue reading “Invictus – Nocturnal Visions (Review)”
This is the second album from international death metallers Mors Verum.
Brought to us by current and ex-members of Æpoch, (amongst other bands), Canvas contains 31 minutes of material. Mors Verum play their death metal in a non-standard way that really pays off, offering up something different to the norm that’s very good indeed. Continue reading “Mors Verum – Canvas (Review)”
Eximperitus, (full name – Eximperituserqethhzebibšiptugakkathšulweliarzaxułum), are a death metal band from Belarus, and this is their third album.
Meritoriousness of Equanimity is the 34-minute successor to 2021’s Šahrartu. Eximperitus have crafted a death metal album that serves up a more complex and evocative flavour of death metal than is normal for the genre. Continue reading “Eximperitus – Meritoriousness of Equanimity (Review)”
Nightmarer are an international death metal band and this is their latest EP.
Following on from 2023’s Deformity Adrift, Nightmarer have returned with four new tracks of brutal avant-garde death metal. Hell Interface is a 21-minute granite-hard slab of dissonant blades and venomous technicality. Continue reading “Nightmarer – Hell Interface (Review)”
This is the fourth album from UK black metal band Sidious.
From 2014’s symphonic blackened death metal Revealed in Profane Splendour, to 2019’s reinvention as the raw black metal darkness of Temporal, and then 2022’s slice of contemporary blackened might Blackest Insurrection, Sidious always put out something I want to listen to. Each album so far has been better than the last too. Can Malefic Necropolis continue to follow this upward trend? Continue reading “Sidious – Malefic Necropolis (Review)”
This is the second album from US death metallers Stabbing.
Eon of Obscenity is the 31-minute follow up to 2022’s Extirpated Mortal Process, and it’s a real beast. Stabbing have put together a record that showcases their abilities in no uncertain terms. This is Continue reading “Stabbing – Eon of Obscenity (Review)”
This is the debut album from Finnish death metal band Ligation.
After Gods is billed as a full album, although it actually only contains 24 minutes of new music, spread over five tracks. However, there’s also a version with three additional bonus tracks that have been taken from Ligation’s previous two split releases, which brings the total up to 41 minutes. Either way, it’s an unconventional approach, but then Ligation’s music is unconventional too. Continue reading “Ligation – After Gods (Review)”
This is the fifth album from US death metallers Carrion Vael.
I enjoyed 2022’s Abhorrent Obsessions much more than I expected to, so I was pleased to see Slay Utterly appear, (it turns out I’d completely missed 2024’s Cannibals Anonymous too, which is annoying). This new record offers up 42 minutes of premium Carrion Vael, and it’s pretty damn good. Continue reading “Carrion Vael – Slay Utterly (Review)”
Ov Sulfur are a blackened deathcore band from the US and this is their second album.
Following on from 2023’s The Burden ov Faith comes the 46-minute Endless. On this new record Ov Sulfur continue their upwards trajectory. Continue reading “Ov Sulfur – Endless (Review)”
This is the fourth album from Canadian death metal act Phobocosm.
2023’s Foreordained made a good impression on me, so when ominous portents heralded the arrival of Gateway, I was ready. Across 35 minutes Phobocosm unleash a dark and dismal death metal dénouement that apparently closes their current chapter, making ready for a future one. Continue reading “Phobocosm – Gateway (Review)”
Wonderbox Metal 