This is the sixth album by German black metal band Waldgeflüster.
I very much enjoyed 2016’s Ruinen, and then 2019’s Mondscheinsonaten appeared and saw the band’s atmospheric brand of blackened music take another strong step forward. So, what of Dahoam then? Continue reading “Waldgeflüster – Dahoam (Review)”
This is the fourth album from A Pale Horse Named Death, a Gothic/doom metal band from the US.
Featuring the ex-drummer of both Type O Negative and Life of Agony, we last caught up with A Pale Horse Named Death on 2019’s When the World Becomes Undone, which I enjoyed at the time, but ultimately didn’t live up to the promise of the band’s first two records. Infernum in Terra is here to rectify that. Continue reading “A Pale Horse Named Death – Infernum in Terra (Review)”
Ryghär are an epic heavy metal band from the US and this is their debut album.
Here we have Ryghär, an epic heavy metal band that have come marching out of the underground with confidence and strength. Armed and armoured, this brotherhood quests for the cause of True Metal, and on Thurmecia Eternal they have conjured into being 39 minutes of molten metallic material. Continue reading “Ryghär – Thurmecia Eternal (Review)”
This is the seventh album from legendary UK death metallers Carcass.
Excepting their earliest goregrind days, Torn Arteries takes us on a tour of Carcass’ wide-ranging style across the decades, while simultaneously trying out a few new ideas here and there. This results in an album that manages to be both backwards looking and forwards thinking, which is no mean feat. Continue reading “Carcass – Torn Arteries (Review)”
This is the fourth album from South African death metallers Vulvodynia.
After 2016’s Psychosadistic Design and 2019’s Mob Rules, it’s great to once more be exposed to Vulvodynia’s brand of deathcore-laced brutal slamming death metal. There’s a whopping 57-minutes of violent content on Praenuntius Infiniti. Although I was initially concerned about this, as that length is a bit of a push for this sort of punishing material, it turns out that the band have done their best to make good use of the time. Continue reading “Vulvodynia – Praenuntius Infiniti (Review)”
This is the latest EP from Insomnium, a melodic death metal band from Finland.
I haven’t caught up with Insomnium since 2016’s excellent Winter’s Gate, so this new EP seems like the perfect point to become reacquainted with their work. Argent Moon delivers 23 minutes of material across four powerful tracks. Continue reading “Insomnium – Argent Moon (Review)”
This is the debut album from Italian funeral doom band Ghostheart Nebula.
Ghostheart Nebula play a mixture of funeral doom and melodic doom metal, with added post-metal and post-rock flavour in places. Continue reading “Ghostheart Nebula – Ascension (Review)”
This is the debut album from one-man Norwegian blackened extreme metal project ILLT.
This solo act is rounded out by session musicians from such notable bands as Megadeth, Soilwork, Nile, and Chrome Division. There’s 36 minutes of material on Urhat containing a modern blackened mix of death metal, thrash, hardcore, and splashes of doom and hard rock. Continue reading “ILLT – Urhat (Review)”
Teitan is a one-man black metal band from the Netherlands and this is his latest EP.
Vákuum contains 22 minutes of avant-garde black metal that’s played with skill and charisma.
This is atypical black metal that reminds me of the more experimental edges of the late 90s and early 00s black metal scenes. When bands like Dødheimsgard, Continue reading “Teitan – Vákuum (Review)”
This is the fifth album from Norwegian doom/stoner metal band Kal-El.
This album came highly recommended from a few different sources, so I thought it was high time I checked it out. I have not been disappointed. Continue reading “Kal-El – Dark Majesty (Review)”
Wonderbox Metal 