This is the fourth album from Greyhaven, a hardcore band from the US.
I’ve been looking forward to this. 2022’s This Bright and Beautiful World placed second from the very top on my end of year list, and I loved catching them live at the start of the year. So, with this much expectation, is disappointment inevitable, or can the 41 minutes of music on Keep it Quiet rise to the challenge? Continue reading “Greyhaven – Keep It Quiet (Review)”
They Watch Us from the Moon are a doom/stoner metal band from the US and this is their debut album.
Cosmic Chronicles, Act I: The Ascension provides us with a feast of progressive stoner doom. Across 45 minutes – five meaty songs – They Watch Us from the Moon impress with their charismatic take on a notoriously bland style. Spoiler alert: bland, this is not. Continue reading “They Watch Us from the Moon – Cosmic Chronicles, Act I: The Ascension (Review)”
This is the fifth album from US progressive rock band Oceans of Slumber.
I really liked 2018’s The Banished Heart, but 2020’s self titled was something even more special, making it on to my end of year list. I wasn’t sure how Oceans of Slumber could top their last album, and I’m pleased that they haven’t tried to; as you may have noticed, I’ve tagged this as a progressive rock album, rather than Continue reading “Oceans of Slumber – Starlight and Ash (Review)”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
Inter Arma are a US post-metal band and this is their fourth album.
A new Inter Arma release is always welcome. 2014’s The Cavern was a stunning record that topped my end of year list, and although 2016’s Paradise Gallows didn’t ascend to the same heights, it was an album that I still deem as an essential listen, (and in hindsight should definitely have been higher up on 2016’s list). Continue reading “Inter Arma – Sulphur English (Review)”
This is the seventh album from Glorior Belli, a French black metal band, (essentially a one man band with hired help).
It’s always great to hear something new from this charismatic and individual band, and here we have 47 minutes of new material.
If you’re not familiar with Glorior Belli’s work, (check out Gators Rumble, Chaos Unfurls and Sundown (the Flock That Welcomes)), this is a band that Continue reading “Glorior Belli – The Apostates (Review)”
Corrosion of Conformity are a US metal band and this is their tenth album.
Back with their classic lineup, this is essentially a return to Corrosion of Conformity’s Deliverance/Wiseblood days, giving us 53 minutes of Southern metal mixed with good old-fashioned rock ‘n’ roll attitude. In many ways No Cross No Crown continues on from where Wiseblood left off, and Continue reading “Corrosion of Conformity – No Cross No Crown (Review)”
King Bison are a UK metal band and this is their debut EP.
Fat riffs and heavy groove. If this sounds like your thing, then make sure that you check out King Bison’s music. Continue reading “King Bison – Snake Head Burial (Review)”
Zud are a US black metal band and this is their second album.
It’s been a long wait since the band’s 2013 debut album The Good, the Bad and the Damned, but we now finally have a new release from this very individualistic black metal band. Continue reading “Zud – A Wilderness Left Untamed (Review)”
Hogan’s Goat are from the US and play hard/stoner rock. This is their debut album.
This is Southern-styled stoner/hard rock that should appeal to fans of bands such as Clutch, Red Fang, Mastodon, and the like. Continue reading “Hogan’s Goat – Hogan’s Goat (Review)”
Wonderbox Metal 