Pyreship are a post-metal band from the US and this is their second album.
This is my first encounter with Pyreship after hearing and enjoying their contribution to their split with Forming the Void. The band appear to have picked up Continue reading “Pyreship – Light Is a Barrier (Review)”
This is the debut album from US blackened doom band Qaalm.
So here we have a gargantuan, monstrous record. With only four tracks it’s a long-form foulness that’s on offer here, one that spreads across the 70-minute playing time like a virulent plague. Continue reading “Qaalm – Resilience & Despair (Review)”
This is the second album by Ukrainian doom band Nonsun.
Blood & Spirit is the follow up to 2016’s colossal Black Snow Desert. On their new record Nonsun have crafted an absorbing 55-minute collection of music, enticing the listener with a soundscape of doom, drone, sludge, post-metal, and dark ambient combined. Continue reading “Nonsun – Blood & Spirit (Review)”
This is the third album from Greek blackened doom band Agnes Vein.
Deathcall actually came out at the end of 2021, but I believe it recently had a vinyl release so it seemed as good a time as any to catch up with what they’re doing these days – the last, (and only), time I have encountered them previously was on 2016’s split with Sadhus “The Smoking Community”. Continue reading “Agnes Vein – Deathcall (Review)”
This is the debut album from Absent in Body, an international doom/post-metal band.
Featuring current and ex-members of Amenra, Neurosis, and Sepultura, Plague God gives us 36 minutes of sludgy industrial post-metal to become lost in and horrified by. Continue reading “Absent in Body – Plague God (Review)”
Krvl are a Belgian post-black metal band and this is their debut album.
On Kravaal we are treated to a traditional blackened sound that’s been augmented with modern elements. Krvl combine a 90s second wave influence with a modern black metal approach that Continue reading “Krvl – Kravaal (Review)”
Similar to January, February was a surprisingly strong month for metal albums. There were many highlights, and limiting my recommendations to just the below five as not easy. Have a look at the albums below… Continue reading “Monthly Overview – the Best of February 2022”
This is the twelfth album from US sludge metal legends Crowbar.
In an ideal world Crowbar whould need little introduction. The band have been toiling away producing some of the absolute best song-based sludge metal since the early nineties, and have managed to not only amass a huge discography of great songs and albums, but have done so while basically carving their own path through the metal landscape. Continue reading “Crowbar – Zero and Below (Review)”
This is the fourth album from Swiss post-hardcore/metal band Abraham.
Abraham craft eight post-hardcore/metal soundscapes with layered compositions and multifaceted songwriting. The obvious starting point for comparisons would be a band like Neurosis, but with added elements of bands like Knut, Deadguy, and Botch. Continue reading “Abraham – Débris de Mondes Perdus (Review)”
KYOTY are an post-metal/sludge band from the US and this is their second album.
KYOTY, (or Keep Your Opinions to Yourself), are an instrumental act that have an atmospheric approach to music, taking in styles such as post-metal, post-rock, and sludge, combined with an industrial edge. Gathering together nine songs that were released over the 2020 isolation period, along with a new track exclusive to the album, this is a 70-minute work of rich evocative soundscapes. Continue reading “KYOTY – Isolation (Review)”
Wonderbox Metal 