This is the second album from Maïeutiste, a French Black Metal band.
2015’s Maïeutiste was a record that impressed. Full of wide-ranging content and engaging blackened exploration, it was an album of fire and mystery. Veritas continues the theme developed in the band’s earlier work, only to refine it further. Continue reading “Maïeutiste – Veritas (Review)”
Cult of Luna are a Swedish post-metal band and this is their eighth album.
A Dawn to Fear follows on from the massively amazing Mariner, which was my album of the year for 2016, and deservedly so. Now, three years later, they return with 79 minutes of new material spread out over 8 songs. Continue reading “Cult of Luna – A Dawn to Fear (Review)”
August has provided many a metallic treat, and as you’ll see from the below selection, there’s been a decent amount of quality variety on offer this month too. So let’s get stuck in, as metal won’t listen to itself. Continue reading “Monthly Overview – the Best of August 2019”
Pinewalker are from the US and play sludge metal. This is their debut album.
Exploring the darkness of loss and the emotional impact/response of/to this, Migration contains 44 minutes of music that bares its soul as well as its fangs. Continue reading “Pinewalker – Migration (Review)”
This is the third album form Swedish modern metal band Aktaion.
I’ve been a fan of Aktaion ever since their debut album Throne in 2015. They then followed this up with the improved The Parade of Nature a year later. The bigger gap between that album and Above Empires seems to have paid off, and the band’s third album truly sees them blossoming even bigger. Continue reading “Aktaion – Above Empires (Review)”
This is the fourth album from US post-metal band Wrvth.
Previously known as Wrath of Vesuvius, they rebranded as Wrvth with 2015’s self-titled album, and delivered a feast of post-metal/death metal for us to enjoy, and enjoy we did. Continue reading “Wrvth – No Rising Sun (Review)”
This is the second album from Aviana, a metalcore band from Sweden.
Aviana play modern metalcore that’s mixed with elements of 90s nu-metal and a slight contemporary progressive/djent edge. They play on the heavier end of the metalcore spectrum, and although there’s clean singing included, it’s still with a focus on heaviness overall. Continue reading “Aviana – Epicenter (Review)”
Unprocessed are a German progressive metal band and this is their third album.
Artificial Void contains 58 minutes of technical wizardry and complex structures and fuses them into a modern progressive metal journey that’s a rather impressive achievement. Not the least of this is because the album takes a vibrant, fresh approach to what could easily be tired and stale in another band’s lesser hands, (and frequently is). Continue reading “Unprocessed – Artificial Void (Review)”
This is the debut album from Canadian death metallers Brand of Sacrifice.
At a lean 26 minutes, God Hand gets in, does its damage, and gets out again. One of the things I like about Brand of Sacrifce, however, is even though their songs tend to be short, the band aren’t afraid to play with the modern death metal formula. Continue reading “Brand of Sacrifice – God Hand (Review)”
Phew. After the metallic overload of the past couple of months, June was a bit calmer. Having said that, I have a great selection of releases for you to salivate over, and I still had to cut a few for the sake of brevity that are definitely worthy of inclusion. Anyway, it’s on with the show! Continue reading “Monthly Overview – the Best of June 2019”
Wonderbox Metal 